Pair of Seminole Indian Linen Postcards

Divided Backs, Linens, unused postcards. Circa 1940s. Publisher (top card):  G. W. Romer. A “Colourpicture” Publication, Cambridge, Mass. Series 12176.  Publisher (bottom card):  “Tichnor Quality Views.” Tichnor Bros., Inc., Boston, Mass. Series 69514.

Price:  $7.00 for the pair

Description (top card):

“Musa Isle, Home of the Seminole Indian. N. W. 25th Ave. & 16th St. Miami, Fla.

“The Baby Is Too Sleepy to Be Interested – See the Seminole Indians in Their Own Village at Musa Isle.” 

Description (bottom card):

“The only ‘Indian Nation,’ that has not signed a Peace Treaty with the U. S. A., still carries on in primitive fashion, the tribal lure of its ancestors in the Everglades, Florida.”

So, I’ve been away way too long from posting articles (chalking it up to “life – oy vey” 😉 and also working on my own family tree – having found a diary, of all things, for mine and siblings, 2nd-great grandfather. Yes, you guys, they’re out there. Proof, if we needed it, to never give up the search. People donate things to museums, snippets of such events get picked up on the internet….and we, for unknown reasons, Google a name we haven’t researched for years, and get blown away by the unexpected results. So, before moving to holiday cards, we’ll briefly continue with this “alligator morphing into Seminole Indian theme,” with a couple of the numerous tourist postcards from the Seminole Nation back in the day. And, we couldn’t even begin to do justice, in a short blog article, to the history of the land and people, so we’ll settle for some bits and pieces, sparked by a few forays into old newspaper articles:

Musa Isle – a little background

Musa Isle was part of a small “inland island” called Marshall’s Key, located between the north and south forks of the Miami River and near the city’s limits (according to an article from 1914). The area, boasting exceptionally good soil, was procured by a number of farmers and fruit growers. All the farms and groves had their own names but the “Musa Isle” endeavor ended up becoming so well-known that, as a misnomer, the name was often applied to the whole Key. Very understandable, as that particular grove became a popular tourist attraction famous for its fruit. Fifty-four varieties were raised there, as well as different types of palm trees.

Origin of a name

It’s been reported, in a very lengthy article written in 1921 (see first source below) the author having learned from “local history,” that the name Musa Isle was coined around 1896-97 by Charles O. Richardson. (The name comes from Musaceae, the botanical name for banana.) He and his wife were theater performers of twenty years who were looking for a change. They moved to Florida and established their tropical fruit plantation. C. O.’s father, James Richardson, was already in Florida, possibly on the property, or having started in another locale, farming. But accounts vary, so we’d be safe to say James and C. O. Richardson were the principles involved. Later the property changed hands.

The penalties of progress

Jumping to a March of 1922 clip, Musa Isle Grove was giving over to “progress”. Below, from a larger article that appeared in The Miami Herald, March 19, 1922.

Next, the Seminoles – a brief (we’ve been pogo stick jumping) “landing” with regard to tourism

A Seminole named Willie Willie started leasing a section of Musa Isle in 1919.  Toward the end of 1921, he turned the operation into a tourist attraction. Below, an article from the Miami News, October 25, 1921 (click to enlarge):

Lastly (for now) a jump to our 2022 perspective…..

Wow. If you’ve read the full article, you’ve likely been horrified, same as me:  As a tourist, you could purchase a baby alligator to take home as a pet. (Horrified both for tourist and baby gator and also in going further – simultaneously flashing on what must have been many similar instances happening at that same time, all around the globe – not that we’ve completely, or indeed, seemingly at all, learned our lessons between then and now. You’ll note also the additional dose of historical perspective needed when reading the descriptions above of the “vicious alligators” and their “cruel teeth.”) And, if it needs mention, and I’m aware this is a very simplified statement on my part, (and this is probably just to lead into the song) the Seminoles had, enterprisingly, turned to tourism in its many forms, for their continued survival……For the Everglades, I always think of John Anderson’s hauntingly beautiful, Seminole Wind.)

Sources:   Page, C. Clinton. “Abandon Theatrical Stage to Come South and Raise Fruits and Vegetables.” The Miami Herald. November 18, 1921. Friday, p. 4. (Newspapers.com).

“Musa Isle Grove, Early Showplace on River, Finally Yields to Subdivision.” The Miami Herald. March 19, 1922. Sunday, p. 27. (Newspapers.com).

Bananas. https://www.google.com/search?gs_ssp=eJzj4tTP1TcwNK7INjNg9OLILS1OTE5NTAUAP5sGUw&q=musaceae&rlz=1C1OKWM_enUS1015US1015&oq=Musaceae&aqs=chrome.1.0i355i512j46i512j0i512l2j46i512j0i512l5.5404j0j15&sourceid=chrome&ie=UTF-8 (accessed December 19, 2022).

“Alligator Farm Will Be Tourist Attraction Soon.” The Miami News. October 25, 1921.Tuesday, p. 17 (Newspapers.com).

John Anderson Seminole Wind. https://www.youtube.com/watch?v=W8sh9P3X33w (accessed December 19, 2022).

Gator Wrestling

Old photo, white border. Circa 1920s – 1930s.

Price:  $5.00           Size:  2 and 3/4 x 4 and 1/2″

The condition of this one is not great – with the crease on the bottom right and the image being pretty washed out, but it is one of a kind, and that’s always nice, since it was taken by an individual, rather than produced in numbers for the tourist trade. It shows a young man of the Seminole Nation, his legs on either side of a belly-up alligator, gator’s snout to young man’s chin; a line of spectators in the back; and another gator, under the palm tree. Enlarge the image (twice) for a better look.

See the links below for a few articles on the subject of alligator wrestling. And maybe you’ve had a similar experience, so I’ll share something here:  Rarely have I felt so overwhelmed by a photo:

I’ve been wrestling (no pun intended) with finishing this post, having re-written it several times – and have come to the conclusion that this photo is “weighty” for me. For one thing, a doorway to history – flipping back thru time with the Seminole people – life before tourism, before the tragedy of the Glades being diminished, pride for the Seminoles to have never signed a “peace” treaty with the U.S. government…..And this photo’s era – Florida in the ’20’s and ’30’s being a particular draw for me – that déja vu feeling, with it’s invariable why?……And questions for the present and future, our planet and its welfare (anguish) gators and all, and then jumping back to this particular gator and this particular wrestler, and the feelings and impressions of those spectators…. Multiple pathways to travel down. Maybe I’ll be drawn back to it all later, when I’m older and hopefully, wiser.

Some related articles:

Fitzner, Zach. “Alligator wrestling in Florida may soon become a thing of the  past.” Earth.com, April 18, 2019. https://www.earth.com/news/alligator-wrestling-florida/ (accessed November 20, 2022).

Lipscomb, Jessica. “Study, Actually Alligator Wrestling Is Bad.” Miami New Times, November 24, 2020. https://www.miaminewtimes.com/news/study-says-floridas-alligator-wrestling-attractions-are-harmful-11748501 (accessed November 20, 2022).

Oztaskin, Murat. “How Florida’s Seminole Tribe Transformed Alligator Wrestling Into A Symbol of Independence.” The New Yorker, January 27, 2021. https://www.newyorker.com/culture/the-new-yorker-documentary/how-floridas-seminole-tribe-transformed-alligator-wrestling-into-a-symbol-of-independence. (accessed November 20, 2022).

Temple Guardians, Bali, Indonesia

Divided back, Real Photo Postcard, unused. Circa 1910s – 1930s. Publisher:  Gevaert.

Price:  $75.00

This seems to be a rare card – we’re not finding any duplicates online – and the subject matter is great!

It was after a couple of days of research, and at the point of giving up (much online scrutiny of gods, deities, masks, carved repeating patterns, etc. in a surprising number of potential countries) that the location in question was happily revealed. Not surprisingly, it was the larger figures in the postcard photo, with their protruding top teeth, tongues hanging out, curving tusks, bulging eyes and bull-like nose, that took us (in that moment of certainty – like space-warp instant travel) – to the island of Bali, Indonesia. (It would be nice to be able to identify each carved figure but that turns out to be more challenging:  There can be multiple manifestations, including both female and male representations of the same god.)

Below, our Google search result, and see the link in “Sources” for more information from the Bali Culture Tours website:

Sources:  “Balinese Gods With Their Manifestations And Their Meanings.” Bali Culture Tours. (accessed July 26, 2022).

“Images of Indonesia Deities.” Google.com search. (accessed July 26, 2022).

Log Cabin Home, 1934

Photo, white border. October 2, 1934.

Price:  $7.00       Size:  3 and 1/2 x 1 and 7/8″

A child in overalls, standing outside their log cabin home, location unknown. This is a beautiful photo, for content and composition:  There’s the path, right from our viewpoint, leading up to the doorway; the home nestling in the woods and off-center of the image; evidence of the wood-burning stove currently in use; and other details to notice, such as the wash basin hanging next to the door, and the somewhat concave appearance of the cabin’s side. And it’s almost like you could hit “play” and see video – the child walking towards us, smiling face appearing out of the shadow, or maybe turning to go into the house, the stovepipe smoke blowing easterly….

On the back is written,  “At least they have a roof. A well-to-do Indian half-breed.”  Well, maybe the individual that wrote the comment had just come from seeing some other cabins not as well put together. Also it was 1934, so better terminology was not yet common, evidently.

But for me, it looks like a small slice of heaven (as I sit typing this with the heavy traffic rolling by).

Thunderbird Park, Vancouver Island, 1958

Photo, snapshot with white border, June 1958, Vancouver Island, BC

Price:  $5.00       Size:  About 3 and 1/2 x 3 and 1/2″

Tourists in June 1958 posing at the foot of a totem pole (not sure if this particular one is still there) and in front of the Mungo Martin House which was built in 1953.

Mungo Martin. n.d. https://en.wikipedia.org/wiki/Mungo_Martin. (accessed March 14, 2020).

1950 Victoria 10th International Salon of Photography

Print of notice of photography show, October 1950.

Price:  $15.00            Size:  4 and 1/8 x 4 and 3/4″

A third in a short totem pole theme, an ad for the 10th International Salon of Photography that was probably one of many that were printed and handed out around town, at the event, or both. According to the article below, from The Victoria Daily Times, the show had both a color and black and white section. The color slide show included  “exhibits of photographers from many parts of the world”  featured 187 slides and was held in the Esquimalt Community Hall on Sturdee St., in Esquimalt Township, British Colombia.

And on the back of the ad there appears the following, a signature? which was darkened in Photoshop. Was it from anyone famous in the photography world? (Just kidding…..or maybe not.)

Source:  ” Color Photo Exhibit.”  The Victoria Daily Times. (Victoria, British Columbia) October 28, 1950. Saturday, p. 22. (Newspapers.com)

Afraid To Go Near It

Divided back, unused postcard. Artist:  William Standing. Publisher:  Dennis Delger. 1948. Western Stationery Co., Yachats, Oregon.

Price:  $7.00

“Me Too But I’m Afraid To Go Near It.”

A humorous card of a totem pole and two dogs….taken from the original etching by Indian artist, William Standing (1904 – 1951).

Source:  William Standing. n.d. https://en.wikipedia.org/wiki/William_Standing (accessed March 1, 2020.).

Totems At Ketchikan Ball Park

Old photo, circa 1930s, white border.

Price:  $10.00

Yes, the focus is not great, we’ll agree with whoever it was that wrote the description on the back. There are a few commercial photos (a good thing, for sure!) that we found online, that are much better, and actually show the rest of the poles that were standing to our left as we gaze into the shot. But there’s always something about an image from someone’s personal camera, well for one thing, because they’re unique (excepting the person made duplicates, of course) and probably also because we get a sense of being with that one individual as they took the photo, so it seems more personal.

Screen shot below right, from a Google search shows one such commercial photo, for sale on eBay, as of our post going up today. The photographer’s surname was Schallerer.

But the curious thing (to anyone who may not know the history of the city) is that there was a baseball field at the park that was comprised of part of the beach, which was underwater when the tide was in. We’re not sure where the ball field was in relation to the totems, but apparently the tide flats were the best place (at the time) to host games, due to the topography of the area.

Below, a January 1932 clipping from a Bristol, Tennessee newspaper regarding the end of the tide-flats ball field. And we appreciate the unknown journalist’s turn of a phrase, conjuring images of ballplayers that had been……

Cavorting in water up to their knees

Sources:  Google.com screen shot result for search under “old photos by Schallerer of Ketchikan.” March 1, 2020.

“Alaska ‘Tide’ Ball Park to Wet No More Players.”  The Bristol Herald Courier. (Bristol, TN). January 2, 1932. Saturday, p. 5. (Newspapers.com).

Allen, June. “100 Years of Baseball in Ketchikan!” Stories in the News. April 26, 2003, Saturday 12:30 a.m. http://www.sitnews.net/JuneAllen/Baseball/042603_100_years.html. Accessed March 1, 2020.

http://www.sitnews.net/JuneAllen/Baseball/042603_100_years.html

Two Guns White Calf

Divided back, Real Photo Postcard, unused. Copyright Hileman. Photographer:  Tomar Jacob Hileman. NOKO stamp box.

Price:  $10.00

John Two Guns White Calf (1872 – 1934) was the son of White Calf; the father is said to have been the last of the Pikuni (a.k.a. Piikáni, Peigan, Piegan) Blackfoot chiefs and, as such, was involved in the sale of Blackfeet land that would become part of Montana’s Glacier National Park. Son, John “Two Guns,” and some of the other members of the park area Blackfoot tribe, became known as “the Glacier Park Indians” through their work for the Great Northern Railway via its campaign to promote the park (thus promoting the railway and its related business properties.)  Through his travels and also his work as a greeter at the park, Two Guns White Calf became one of the most recognizable American Indians of his time; this was due in part to an advertising opportunity that had fallen into the lap of the railroad:  the noted similarity between Two Guns and the Indian on the Buffalo nickel. It’s a great story, but not one that is based in fact, and that’s part of the fascination in both past and present:  how the story came about and that the point of view is still propagating today.

Below, an early news clippings found in the Inter-Ocean (Chicago, Illinois) November 1912:

 

A skillfully orchestrated hoax

Pull up numerous historical newspaper articles on Two Guns and you can find phrases like “image is on” and “posed for” in relation to the coin, and true, Two Guns’ profile is remarkably similar to the image on the nickel……but absolutely not when looking at the shape of the nose. Two Guns’ nose was quite distinctive. (I’ve borrowed this word from someone and don’t remember quite where.) It juts downward at the bump (not the technical term, I know), as you can see in the postcard, even though his image there is not in perfect profile. Comparing his profile with that of the nickel image should lead anyone new to the topic to immediate skepticism and to dig in to further research, if needed. But, how did the story get started in the first place? See an explanation by journalist and author Ray Djuff, in an article that appeared in Coins Magazine, February 27, 2013:  “The Big Nickel Lie; Two Guns’ Famed Mug Not Used,” and see the newspaper articles appearing further below, for a little additional background.

Production of the Buffalo nickel ran from 1913 – 1938.

Below, some images of Two Guns containing some better profile shots from a Google search:

A composite

The nickel’s sculptor, James Earle Fraser, also famous as the artist who sculpted “The End of the Trail,” clearly stated that the Indian on the nickel was not one man but a composite; naming Chief Iron Tail of the Ogalala Sioux and Chief Two Moons of the Northern Cheyenne, and a third and maybe fourth that he couldn’t remember. He also stated that Two Guns was not one of the models, nor had he ever met him, but it seems the statement about the unremembered other name or names is one reason the legend has lingered.

Below left, one of the quotes from Fraser, appearing December 1935 in Davenport, Iowa’s Quad-City Times. Below center and right, two excerpts from journalist Elmo Scott Watson, appearing in a March 1938 article in The Times-Independent (Moab, Utah). The clip on the right includes a quote from “…Hoke Smith Western development agent of the Great Northern Railroad…” (See the Ray Djuff link above on “Hoke” Smith).

Many roads to travel

The life of Two Guns would make for a great book (and one may already be in the works). In general, it’s difficult, if not impossible, to do justice to anyone really, in a (somewhat) short blog-type entry, but especially so in the case of Two Guns, because of his “association with” the Buffalo nickel, and because there is so much more to explore in context with the times:  to name just a few topics, the Great Northern Railway history, publicity and the American Indian, see for instance, Two Guns’ mention in authors LaPier and Beck’s City Indian:  Native American Activism in Chicago, 1893 – 1934, the history of the nickel itself, with the public reportedly clamoring to know the name of the Indian on the coin when it came out. (FYI, there was an original version of the coin, and then a “do-over” because portions of the design, specifically the “five cents,” was thought to be too indistinct; there’s the fact that not everyone loved the design of the buffalo, as some thought the animal had a forlorn, hang-dog kind of look, though if one took that view, it could be seen as historically fitting because of the buffalo’s slaughter in the wake of “progress;” and comically, in one newspaper journalist’s opinion, if you viewed the buffalo on an angle it looked like the face of a man.) Another aspect to explore in the life of Two Guns is his own stated belief that it was his visage on the coin. (He was not the only Indian claiming that it was their own likeness, of course, so there’s another major road, highway really, to explore.) But one wonders, not meaning to offend any of his descendants, if Two Guns really thought so, or if he might have privately viewed it as a “useful open-ended possibility” in any dealings he might have with the U.S. government in relation to the rights of the Blackfeet. That’s only my uneducated thought and one not necessarily adopted, and to be thorough, the history of the beliefs and ideology of the Blackfeet might also be explored. And because we’d like to know more about the man himself, to touch on the subject of family life, it was remarked in a newspaper article that he and his wife had a tender relationship when he cancelled an appearance at a New York reception to stay with her on a day that she didn’t feel well. By the way, a wonderful interview by Two Guns’ wife, who was described as “vivacious and loquacious,” can be read of her thoughts in 1913 on the modern women of New York. In answer to the reporter’s questions, she found New York women pretty, at the same time wondering at their restrictive clothing, fashion v. freedom and energy flow, noting how the “hobble skirt” that was currently in vogue, reminded her of how “when we want to keep our ponies from running off we hobble them,” and spoke in general, about the importance for women of having fresh air, un-restrictive clothing, work, and not necessarily marriage, but friendship.

Modern joys and pitfalls

The succession over the years of the many newspaper articles alone on Two Guns White Calf and the nickel is thought-provoking, not only in transporting us back to the past, seeing the similarities in reporting today v. then, getting a feel for how a myth evolved, but also in highlighting (once again) the wonder and pitfalls of the fast-paced world we now live in:  Don’t happen to have a Buffalo nickel stashed away in a drawer? Online, and bingo, there it is, and you don’t even need a magnifying glass to get a good view. But the pitfall:  with such instant information at our fingertips via the internet, it’s only natural that we’ve come to expect quick answers. I totally get this. Research is painstaking. I have boxes of photos, postcards, etc. waiting to go up on this website. (Rubbing hands together in anticipation.) Beauties, each a doorway into another dimension, and that feeling that there is never enough time. So, especially in Two Guns’ case, if one were doing a quickie post but sincerely wanting to check some sources like old newspaper articles, one could be forgiven (always, who’s perfect?) in posting misinformation or at the very least putting up a more limited view of a multi-level topic. It’s a great example of how a quickie look at something can lead us down the primrose path resulting in unknowingly becoming both victim and propagator in the “wrong info begets wrong info” trap. Even with pretty extensive research, there are dangers; for example, any archivist or genealogist will tell you that all sources need to be explored (though we can’t always know what “all” is) as it’s sometimes that one census record that one didn’t bother to hunt down, or that one whatever, that turns out to be a game-changer, as in:  “Oh, a prior marriage….so such-and-such was not the maiden name,” or “OMG, this person was adopted.” But jumping down from this soapbox, my short-ish post on Two Guns is obviously not the biggest picture either, but rather just a part of a many-faceted likely as-yet-undiscovered whole.

In closing, we love the tongue-in-cheek expression, “Don’t let the facts get in the way of a good story” and variations thereof (He never lets the facts….) but in the case of John Two Guns White Calf, the truth makes a better story than the myth. We hope the book gets written.

Sources:  Piegan Blackfeet. n.d. https://en.wikipedia.org/wiki/Piegan_Blackfeet (accessed December 11, 2017).

John Two Guns White Calf. May 21, 2012. nativeheritageproject.com. (accessed November 25, 20017).

“Did the Indian, Two Gun White Calf, pose for the Indian head on the buffalo nickel?” Quad-City Times (Davenport, Iowa). December 10, 1935. Tuesday, p. 12. (Newspapers.com).

Buffalo nickel. n.d. https://en.wikipedia.org/wiki/Buffalo_nickel (accessed November 25, 2017).

“Images of Two Guns White Calf.” Google.com. Accessed December 14, 2017.

“Indian Guests in Hill Box Party.” The Inter-Ocean. (Chicago, Illinois). November 19, 1912. Tuesday, p. 12.

James Earle Fraser (sculptor). n.d. https://en.wikipedia.org/wiki/James_Earle_Fraser_(sculptor). (accessed December 12, 2017).

Djuff, Ray. “The Big Nickel Lie; Two Guns’ Famed Mug Not Used.” February 27, 2013. Coins Magazine. (accessed at NumisMaster.com. November 25, 2017).

LaPier, Rosalyn R.Beck, David R. M. City Indian:  Native American Activism in Chicago, 1893 – 1934. University of Nebraska Press. May 31, 2015.

“Buffalo Nickel Now Creating A Lot Of Trouble.” The Lima Daily News (Lima, Ohio). January 26, 1914. Monday, p. 4. (Newspapers.com).

“The New Five-Cent Piece. Indian and Buffalo Design Defended by an Admirer.” The New York Times. March 5, 1913. Wednesday, p. 16. (Newspapers.com)

Marshall, Marguerite Mooers. ” ‘New York Women Heap Nice to Look At,’ Mrs. Two Guns White Calf Explains.” The Arkansas Gazette. (Little Rock, Arkansas). March 31, 1913. Monday, p. 7. (Newspapers.com)

Indian Post Souvenirs, Algonac, Michigan

Divided back, unused, Real Photo Postcard. Circa late 1940s – early 1950s. EKC stamp box.

Price:  $25.00

What is revealed…

There’s a lot to take note of in this vintage RPPC of the Indian Post souvenir shop, Algonac, Michigan:  First and foremost, the two men posing for the photo, one in full headdress; then the address on the building of 717 – this may have been Michigan St. or St. Clair River Dr; the hand-painted artwork on wood of the Indian maiden (love it); the “Railway Express Agency – Packages Received Here” sign, the striped folding deck chairs on the lawn, and how about the very cool window silhouette of the guy on our right? Then there’s the small sign behind him that we can’t read – that looks like part of a wing there; the U.S. souvenir-type flag in the window, and little plastic “windmills” – maybe this was taken around Memorial Day or Fourth of July. And, we impart this fact to you, the readers – this postcard was made from a photo that had some folds in it. The card itself is in great condition, but note the three vertical creases at the top, in the image.

Probably in 2022……no, we didn’t have to wait till then

If it’s of great import (for sure, why not?) the shop owner’s name will probably turn up on the 1950 Federal Census, but that won’t be out till April of 2022. City directories for the area were not found online; maybe they exist at a local library. But in moving over to search Newspapers.com we hit the jackpot with a full page spread on Algonac (Chris-Craft enthusiasts you already know the connection) in Port Huron’s, The Times-Herald, (the River Section) dated July 21, 1950, with the photo below…..Thanks to readers that commented the man in the full headress is Maxim “Max” Ouimet.

Proprietor in “chief”

The Times-Herald photo showing the Post’s owner with two potential buyers, and displaying some of the baskets the store was known for. Our shop owner then, who we now know is Max Ouimet, is the man on our left in the postcard image. We also now know that the Indian Post was situated between two buildings. The Railway Express sign is still up, visible just next to the 5-story birdhouse…..and as for that particular item for sale, who bought it, is it still happily in use, and if so where?…Picturing the now grown-up kid contacting us with a great story to tell….the day he met the “chief” and his parents bought the bird condo. Stranger things have happened!

Two clippings from the article

Algonac, Michigan on the Saint Clair River

Sources:   “Color A-Plenty Awaits Visitors In Lovely Algonac.”  The Times-Herald (Port Huron, MI) Wednesday, July 21, 1950. p. 90. (Newspapers.com)

Algonac, MI 48001. Google.com map. (accessed May 25, 2017).

Further reading:  Walpole Island First Nation. n.d. https://en.wikipedia.org/wiki/Walpole_Island_First_Nation (accessed May 25, 2017).

Bkejwanong. Walpole Island. http://www-personal.umich.edu/~ksands/Warpole.html. (accessed May 28, 2017).