Having Fun Yet?

Old photo, circa 1920s – 1930s.

Price:  $8.00          Size:  About 4 and 1/4″ x 2 and 1/4″

Continuing on with a mini-theme of families or groups of people. This one is a stumper. Where were they? The major clue, if we can call it that, appears on our left….something Ranch. Had the camera been pointing slightly more in that direction (or the photographer further back), we probably could have figured it out. Maybe “something-or-other Ranch” was a restaurant. Do we imagine we see a small outdoor dining table there covered in white cloth? The other clue (for some ingenious person) is the out-of-place looking geometric metal? phone booth-ish (space ship, time portal, 😉 ) thing at the far right, that we only see a portion of. What the heck was it? Then the people depicted here….Looking like, I hesitate to say it, a family of con-artists. Maybe it’s the younger girl – the stony-faced look and the cool octagonal sunglasses, note her grip on her grandma’s arm (yes, we remember that smiling into the camera was not mandatory, like it pretty much is today – refreshing, really – scowl if you want to) and her sister – with that trick of the eye – one eye closed, the other squinting slightly, not a wink though, but different….how did the camera catch that? Now, the dark-skinned gentleman on our right, is he the dad of the girls and the (nice-looking) older brother? Dad sun-bronzed from years of outside work…..or are they a wealthy bunch and this man is their driver (but part of the family) and native to (imagining) Central America. Well, idiotic questions like these are in abundance. Notice, too, how the whole gang is dressed in white except for the matron of the bunch. Makes you think this snapshot was taken in one of the southern states, Florida or SoCal, perhaps? Anyway, every picture tells a story, as they say, and what this one tells is……open to impression….flashes of insight appearing and disappearing…..in the end, I’d say they’re a nice, very stylish family with a million stories to tell. Oh, and this photo had been in the family album for some time, as evidenced by some of the black paper still stuck to the back.

Paul Jones Harrison And Friends

Old photo, circa mid-1890s.

Price:  $15.00          Size:  About 4 x 4″

A fun time with friends and siblings…..guessing this photo may have been taken around the mid-1890s due to the large puffed sleeves for some of the women, and from the following research, possibly taken near Socorro, New Mexico:

Just as I was about to call it a day search-wise, the Harrisons were found in records. (Funny how it can take you awhile to find the answer, and if it had been a different day, you’d find it right off the bat. A difference in mindset maybe. Interesting, though.)

Madge Harrison is Esther Matilda Harrison, born April 14, 1875 in Missouri. She marries Samuel C. Edwards. Her brother, A. Houston Harrison, was born about 1877, also in Missouri and their brother, Paul Jones Harrison, was born about 1883 in New Mexico. Their parents are Andrew T. and Julia Harrison. The family is on the 1880 Federal Census living in Trinidad, Las Animas County, Colorado and on the 1885 New Mexico Territorial Census in Socorro.

From the same 1885 census for Socorro, name spelled Wickam:  Anna Wickham was born about 1874 in Pennsylvania, and brother Andy, also a PA native, was born about 1876. Their parents are Joseph and Mary Wickham.

The Tingleys would be brothers, Albert Tinguely, born about 1864 in Nebraska and Samuel Tinguely, born about 1871 in Colorado. Parents Charles and Anna, were born in Switzerland. The 1885 NM Territorial Census has them in Polvadera, Socorro County.

Jennie Cook is possibly the Jennie Griffith that married George E. Cook. George later served as mayor of Socorro, 1924 – 1928. The names on the back of the photo may have been written later, since Jennie and George were married in November 1900. That is possibly Jennie on our right, just above left of the man who is clowning around in one of the girls’ bonnets (maybe he and Jennie exchanged hats). And could this person be George Cook?

Names on the back of the photo:

Paul Jones Harrison; Madge Harrison (Edwards); Jennie Cook; Price (surname or possible given name); Andy Wickham; Anna Wickham; A. Houston Harrison; and surname Tingley.

Sources:  Year: 1880; Census Place: Trinidad, Las Animas, Colorado; Roll: 92; Page: 54B; Enumeration District: 066. (Ancestry.com).

National Archives and Records Administration (NARA); Washington, D.C.; Schedules of the New Mexico Territory Census of 1885; Series: M846; Roll: 5. (Ancestry.com).

Indiana, Marriages. Salt Lake City, Utah: FamilySearch, 2013. (Ancestry.com).

Year: 1900; Census Place: Socorro, Socorro, New Mexico; Page: 2; Enumeration District: 0135; FHL microfilm: 1241003. (Ancestry.com).

National Archives and Records Administration (NARA); Washington, D.C.; Schedules of the New Mexico Territory Census of 1885; Series: M846; Roll: 5

“The Cook –Griffith Wedding In Socorro, N.M., A Swell Society Event Attended By 200 Guest.” Richwood Gazette (Richwood, OH). November 29, 1900. Thursday, p. 4. (Newspaper.com).

Mayors of Socorro. https://www.socorronm.org/notable-local/mayors-socorro/ (accessed June 6, 2021).

E. W. Jackson, Photographer, Florida

Edward W. Jackson, African-American, born in Georgia circa 1857, was the son of Alfred Jackson and wife Louisa. He died September 10, 1913 in Athens, Georgia.  Photo from James T. Haley’s compilation, Sparkling Gems of Race Knowledge Worth Reading, published in 1897. E. W. Jackson worked as a photographer in Key West, Orlando and Jacksonville, Florida, and was manager for a time for the Davis Photo Gallery in Jacksonville. See his Cabinet Card on this website for Willie Joseph Brennan.

E. W.’s short obituary below, referencing his well-known brother, was the key to finding out more:  A. P. Jackson was Albin P., born in Athens Georgia, two or three years younger than Edward. Albin’s unusual given name, helped greatly in locating the family in census records and thus determining that the E. was for (one would guess and be incorrect often, but in this case not – Edward. Most likely Edward was also born in Athens, Georgia.

Below, a timeline gleaned from the usual sources – city directories, census, historical newspapers and Google books:

1870 Federal Census for Athens GA, age 13, parents Alfred and Louisa. Siblings Camilla, Albin, Billie, Mary and Judy.

1880 Federal Census for Athens, age 23, working at a drug store. Father’s occupation whitewasher, mother, washer and ironer, brother Albin, barber, sister Bettie, washer and ironer and sister Judy, at school. Albin is about 3 years younger than Edward. Children’s and mother’s race listed as mulatto on this census, father’s as black.

1885 married according to the 1900 Federal Census. Wife Eva W., born in Florida about June 1854.

1887-1888 Edward W. Jackson, artist, 121 Market, Jacksonville per city directories – possibly correct for E. W. as an artist.

1896 – Jacksonville. Edward W. Jackson, manager at Davis Photo Gallery, 17 1/2 E. Bay, resides Clay near W. Ashley. Wife, Eva W. Jackson, dressmaker.

1898 photographer in Orlando, per the dated cabinet card for young Willie Brennan, see link above.

1900 Federal Census for Key West Florida, 617 Whitehead St. Photographer, married about 1885, born May 1855 in GA. Wife, Eva W. is listed as having eight children, all living. No children listed for Edward and none living with the couple so, it’s possible the children are from a prior marriage for Eva.

1908 moved his photography studio from Orlando to Jacksonville, as reported to a weekly photography publication.

1910 Federal Census for Jacksonville, renting at 417 1/2 Broad St. Married but wife not with him on this census. Photographer at gallery.

1913 Jacksonville City Directory. Edward W. Jackson, photographer, married. 417 1/2 Broad St., home, same address.

Lastly, of note:  Edward’s brother Albin P. Jackson, was written up in a nice newspaper article, “Story of A. P. Jackson is one of Success” from the Orlando Evening Reporter-Star, November 12, 1914. Albin, the manager of the San Juan Barbershop in Orlando, had saved for he and his wife’s future, and bought an orange grove and a pecan grove.

Sources:  E. W. Jackson. n.d. https://en.everybodywiki.com/E.W._Jackson (accessed May 22, 2021).

Haley, James T. (1897) Sparkling Gems of Race Knowledge Worth Reading. J. T. Haley & Company. Web:  https://www.google.com/books/edition/Sparkling_Gems_of_Race_Knowledge_Worth_R/UmU9AQAAMAAJ?q=e.w.+jackson+orlando+photographer&gbpv=1#f=false.

Year: 1880; Census Place: Athens, Clarke, Georgia; Roll: 140; Page: 279B; Enumeration District: 012. (Ancestry.com).

Albin P. Jackson from Miller & Mayfield’s Orlando, Florida city directory 1915-1916. p. 270. (Ancestry.com city directories).

Year: 1870; Census Place: Athens, Clarke, Georgia; Roll: M593_143; Page: 352A (Ancestry.com).

Year: 1880; Census Place: Athens, Clarke, Georgia; Roll: 140; Page: 279B; Enumeration District: 012 (Ancestry.com).

Vance’s Jacksonville and St. Augustine Directory and Florida Hotel Guide, 1896, Vol II, p. 153. (Ancestry.com city directories).

Year: 1900; Census Place: Key West, Monroe, Florida; Page: 4; Enumeration District: 0098; FHL microfilm: 1240174. (Ancestry.com).

Chambers, Frank V. and Bartlet, John, editors. Bulletin of Photography And the Photographers, Vol. 3. July – December 1908. p. 267.

Year: 1910; Census Place: Jacksonville Ward 7, Duval, Florida; Roll: T624_159; Page: 1B; Enumeration District: 0084; FHL microfilm: 1374172. (Ancestry.com).

R. L. Polk & Co.’s 1913 Jacksonville City Directory, Vol. XIV. p. 686. (Ancestry.com city directories).

The Orlando Sentinel, September 13, 1913. Saturday, p. 5. (Newspapers.com).

“Story of A. P. Jackson is one of Success” Orlando Evening Reporter-Star. November 12, 1914. Thursday, p. 5.  (Newspapers.com).

Double Exposed Car

Old photo, white border. Circa 1910s – early ’20s.

Price:  $10.00

Young man posing in front of….perhaps a Model T (just a guess). Looks like maybe he’s going camping, with the gear strapped in somehow on the running board. Though, at first glance, this looks like an x-ray of the car with….surprise, much different innards than expected. 😉 I’m struck just now by the synchronicity of the man and vehicle both sporting a soft “cap” (Yeah, we’re all a little crazy lately, eh? 🙂 )

Gas Pump – Verdun, France

Photo, white border, deckled edge. Circa mid-1930s, France.

Price:  $10.00

Verdun, France, a man refuels his vehicle, a 1934 or 1935 Peugeot 401.

Two members of the Antique Automobile Club of America came to the rescue (lightning quick responses, as usual) to identify the make, model and year of the car in the photo, and for clarification on the Castrol sign appearing to the left of the large Essences – Huiles.

Of course, it’s one of the first things to do (and so fun) when enlarging old photos – try to decipher any blurry or murky-looking wording, and that word under Castrol had me stumped (was guessing Brewster, haha) but it turned out to be something simple, in french, brevetée, patented. (See link in Sources.) And that’s a Gargoyle Mobiloil sign, to the right of Essences – Huiles. Gargoyle was a brand name under the Vacuum Oil Company. Also, noteworthy in the photo, is the small piece of machinery on the concrete, to the left of the man. Per my mechanic hubby, this is maybe an air compressor or pressure washer. Last but not least, we love the intricate wrought ironwork over the doorway of the Bureau de something, not quite readable – another of those, if you already knew what it said, it would be perfectly clear. 😉

Sources: Photo and video forums. What is it? Antique Automobile Club of America. Response to query of February 7, 2020. https://forums.aaca.org/forum/66-what-is-it/.

Vacuum Oil Company. n.d. https://en.wikipedia.org/wiki/Vacuum_Oil_Company (accessed February 7, 2021).

“French Castrol Oil Double-Sided Porcelain Flange”. Mecum Auctions Road Art. mecum.com. (accessed February 13, 2021).

Greetings And Heaps Of Good Luck

Christmas card, publisher and date unknown. Circa 1900s – 1930s.

Price:  $4.00       Size:  About 3 and 1/4 x 4 and 1/4″

In looking up Christmas pudding images we linked to a lovely website (one of many, for sure, but we stopped at the one) with a recipe, and discovered an unlooked-for but welcome answer to the full meaning behind the title of the card:  A silver coin or trinket was traditionally baked into the dessert and whoever found it was supposed to be granted good luck. How nice that the children are offering the dessert to Santa (a skinny Santa, at that). And he must be taking a break from deliveries, as he still has toys spilling out of his very full bag of goodies. Back to the pudding – not a pudding in the American sense, but in the British use of the word (a dish, either savory or sweet, that’s steamed or boiled in something). In this case, a steamed cake made weeks ahead with dried fruit and spices…..then topped with brandy and set aflame (remember the scene in Dickens’ A Christmas Carol?) then topped off with cream sauce and garnished with holly.

Sources:   “Traditional British Christmas Pudding (a Make Ahead, Fruit and Brandy Filled, Steamed Dessert).” December 3, 2016. (www.christinascucina.com).

Nelson, Libby. “British desserts, explained for Americans confused by the Great British Baking Show.” November 29, 2015. (www.vox.com).

Café de Flore, Paris

Divided back, unused postcard. Circa 1920s. Publisher/printer:  Patras, 9 av. Marguerite, A Boulogne-Sèine, France.

Price:  $7.00

….un chocolat chaud et un croissant, s’il vous plaît.

We’re taking a mini-virtual vacation to the Café Flore (Flora Café), 172 boulevard St-Germain, for some relaxation and conversation – back to what appears to be the 1920s. After much clicking on videos recently, I’m taken with the idea that we could push the play button and have this scene come to life (!) But enlarge to get your imagination going on the stories evolving…..There’s the group of men on our left, one in uniform; the couple; the two girlfriends deep conversation; the two separate gentlemen in hats and overcoats; the woman with her young daughter, waiting for traffic to clear; the group of three who appear to have been caught in a delighted chance encounter; the man with hands in pockets at the curb; the man with the briefcase looking as if he’s hailing a cab; the others in blur, caught in motion, and those in the background or partial shadow; and last but not least, the contented-looking young woman at the second story window, arms folded, surveying the scene below.

The Leichtweißhöhle Cave

Divided back, unused postcard. Publisher or printer:  Carl v. d Boogaart, Wiesbaden, 1906.

Price:  $7.00

Two trees (wonder if they could still be there?) form a passageway…..to a certain location in a German forest, circa 1906. Behind a rustic wooden fence, three people pose on a front porch…..There’s a small pointed roof over a doorway…..and a jungle-gym-like mass of wooden branches attached….

We know this is a destination of some sort from the signs that are posted. But click on the image to enlarge (check out the graffiti on the tree trunks)…..That conglomeration of tree limbs is actually a railing for a walkway leading up a hill. Then with a quick internet search…..ahhhh, that doorway is a cave entrance.

Google translation to English from Wikipedia entry with photos:

“The Leichtweißhöhle is a cave in the Wiesbaden Nerotal . Its name can be traced back to the poacher Heinrich Anton Leichtweiß , who used the cave as a shelter from 1778 to 1791. Forest workers discovered the cave and light white due to rising smoke.

Access to the Leichtweißhöhle

Source at the Leichtweißhöhle

The Leichtweißhöhle is originally a small natural cave and not much more than a large rock overhang, a so-called abri . The local shale is not suitable for karstification . There are no other caves.

The cave was forgotten until Wiesbaden gained international renown as a spa and the cave developed into a popular excursion destination. It represented one of the new attractions that were to be offered to visitors to Wiesbaden. The Wiesbaden Beautification Association expanded the cave in 1856. A second entrance was created, a room on the side and a niche padded with moss, which was declared as a place to sleep. The cave was also decorated accordingly, including old weapons and pictures. A romanticization followed . The Schwarzbach coming from the Rabengrund and passing the cave received an artificial waterfall and a wooden bridge was built to cross the stream. A viewing pavilion was built above the cave, and the access paths to the cave were equipped with railings and the cave entrance with a wooden porch. These changes were so extensive that the original state can hardly be recognized today.

In 1905 Kaiser Wilhelm II visited the cave with his wife.

In 1934 the Gestapo used the Leichtweißhöhle as a torture cellar .

With the decline of the Wiesbaden cure, especially after the end of the Second World War , the cave lost its importance and was closed. The outdoor facilities were badly affected by vandalism and lack of maintenance. The cave was often used as a shelter. In 1983 the entrance was completely renewed. Since then, the cave has been regularly opened to visitors every six months.”

Sources:  Leichtweißhöhle. n.d.  https://de.wikipedia.org/wiki/Leichtwei%C3%9Fh%C3%B6hle. (accessed August 30, 2020).

Google translate (accessed August 30, 2020).

Couple On Steps

Real Photo Postcard. Unused. VELOX stamp box. Circa 1907 – 1917.

Price:  $4.00

A moment in time, somewhere in rural America…..

According to the particular VELOX stamp box on the reverse, this would have been taken around 1907 to 1917. The building the steps lead up to is not a house, but maybe rather a grange hall, a train depot, a hotel. Note the metal screening on the windows, and the possibility of various small signs (enlarge the image twice – see the nails?) that had once been posted to our left of the doorway. But, I was drawn to this postcard from my impression of two people, caught in a great, candid moment of laughter – the woman seems to be, doubled over would be overstating it, but how do you describe, when someone says something unexpected, maybe ridiculous, and you have that reaction, turning off to the side in mirth, a little bent at the waist? The gentleman’s pose is in wonderful contrast, with arms folded, looking into the camera. In close up view, we can’t really tell if he’s laughing, but we’re taking in the working clothes, the heavy gloves, the dried mud on his boots (he’s probably listed as a farmer on the 1900 and 1910 census), and of course, the metal bucket to his right.

A Snap Of John Taken Unawares

Old photo, white border. Circa 1900s to 1920s.

Price:  $2.00          Size:  3 and 1/8″ x 4 and 1/4″

I bought this one for the rather poetic description written on the reverse (We imagine it was his wife that wrote it.) But here’s John, in vest and suspenders and the inevitable hat, his surname and location unknown. He’s deep in thought, and holding what looks to be a tape measure. Maybe he was out looking at property lines. You can see some short wire fencing behind him, and then a nice view of some hills in the distance. The term snapshot came into use in the photographic sense around 1890. We found the short version, “snap” for snapshot (also written snap shot), in historical newspapers as early as 1907, (though this was from a quick search so it may have been in use a little earlier.)

Sources:  snapshot (n). https://www.etymonline.com/word/snapshot (accessed June 14, 2020).

Marshall, Carrie. “A Trip To Idaho – No. 3.” Woodford County Republican, (Eureka, IL) Thursday, September 26, 1907, Vol. 13, no. 34. (Newspapers.com).