A Proud Owner

Divided Back, unused Real Photo Postcard. Circa 1910s – 1930s.

Price:  $5.00

“The window is not broken, it is the reflection of the sun.”

This is a Tudor-style house, as we can see from the steep-pitched roof, the tall windows, and the decorative half-timbering on the gable. If you look at the upper portion of the side of the house you might think you’re seeing wood shingle siding but that overlapping effect must be just an illusion – look at the lower half and you’ll see brick. There’s a small built-in front porch with a rounded archway, and the front facade of the house is stuccoed above the, would one say, brick wainscoting? The top segments of the bay windows are called awning windows, and it’s one of these that appears to be broken, but like the proud owner says, it’s a reflection of the sun. And there’s the gentleman himself, posing to the side, in suit and fedora. There are two small potted evergreens that look like they might be for planting elsewhere, and note the key that’s hanging in the door. Looking closer still, we see a zigzag pattern of tile for the porch floor. And the windows in the door and on each side (does this remind anyone of the 1960s or ’70s?) are done in some type of privacy glass with a pebbled effect.

The Battertons In 1909

Divided back, Real Photo Postcard, unused. AZO stamp box.

Price:  $15.00

“Grandfather & Grandmother Edgar & Margaret & Jennie Batterton taken Sept 1st 1909.”

As near as we can figure, that is to say, no other Batterton families match up as well, this image shows left to right:  William Edgar Batterton, born 1876 in Missouri, with his wife Jean A. “Jennie”, born about 1886 in Ontario, Canada, Edgar’s parents David L. Batterton, born about 1848 in Missouri and Nancy Margaret (Cromwell) Batterton, born 1848 in Missouri and the youngest Batterton, Jean Margaret, born 1908 in Manitoba, Canada. The Canadian connection may have been established by David L. Batterton:  A homestead grant record shows for David dated 1902.

Adding credibility

A little more credibility for our educated guess on the specific family:  Edgar’s WWI Draft Registration card shows his date of birth as November 25, 1876, living in Minneapolis, wife listed as nearest relative, and his build is described as stout (matches the photo) and eyes blue (not discrepant) though his hair by this time had become gray. He is listed on this record as a naturalized citizen of Canada.

A paid gig

It’s always fun to try to read any books or signs or anything else with wording that might be, by chance (or not) in a photo. This one shows the grandmother holding one of Eastman Kodak’s periodicals Studio Light. Underneath the title is Aristo Eagle, the name of another photographic journal which must have, by that time, been incorporated into Studio Light. The Eagle was earlier published by the American Aristotype Co. out of Jamestown, New York. So, the image for our RPPC was almost certainly taken by a professional photographer, rather than by friend or family, and we picture him making sure (as always, making provisions for fidgety children) the baby had something to hold, if needed.

Sources:  “United States Census, 1880,” database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:MH84-HGF : 16 August 2017), Edgar Batterton in household of David L Batterton, Butte City, Deer Lodge, Montana, United States; citing enumeration district ED 10, sheet 106A, NARA microfilm publication T9 (Washington D.C.: National Archives and Records Administration, n.d.), roll 0742; FHL microfilm 1,254,742.

“United States World War I Draft Registration Cards, 1917-1918,” database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:K87L-F8S : 12 December 2014), William Edgar Batterton, 1917-1918; citing Minneapolis City no 10, Minnesota, United States, NARA microfilm publication M1509 (Washington D.C.: National Archives and Records Administration, n.d.); FHL microfilm 1,675,682.

Year: 1920; Census Place: Minnetonka, Hennepin, Minnesota; Roll: T625_839; Page: 19B; Enumeration District: 264. (Ancestry.com).

Google eBook Studio Light. Vol. 11, March 1919, No. 1. (Google.com).

“Great Aristo Lamp.” Belvidere Daily Republican. (Belvidere, Illinois) May 18, 1905, Thursday, p. 3. (Newspapers.com).

C. H. B. And Marian Shaw, Daytona 1905

Undivided back, unused, Real Photo Postcard. 1905. Sailboat stamp box.

Price:  $10.00

Here’s a beautiful young Springfield, Mass couple posing for the camera. They seemed to have been dressed up for some occasion, she in a long dark skirt and white blouse with bow at the neck (note the pocket watch pinned near the shoulder and that might be a pin of some sort at the bow) and he in a dark suit and tie with light-colored vest, breast pocket handkerchief and visible watch chain. From the writing on the front and from the feel of the photo itself, one presumes they are C. H. B. Shaw and wife Marian, but we can’t say for sure. Nothing definitive was found in census records, city directories or online historical newspapers in either Massachusetts or Florida. Very surprising, too.

A Flower Fairy Valentine

Divided back, embossed, unused postcard. Publisher:  S. Berman, copyright 1917. Series or number 7025. Printed in the U.S.A.

Price:  $5.00

Valentine Wishes….

“Dear Valentine,

What fun ‘twould be

If you would just

Do this with me.”

A charming postcard for Valentine’s day of a bouquet-offering flower fairy – atop a heart decorated with forget me nots. Her wings are gorgeous in maroon and blue (etc.) and she wears a hat of pink flower petals fastened by a garland. Note how the artist has the wings just overlapping the card’s red border. (A common design trick to add some flow and dimension.) This is another from our Alice Ellison Collection.

“To Grandma from Maebelle. Papa & mamma & I have been to Los Angeles a couple of days & mamma & I got a new hat. & I got two new dresses. Yours with love.”

Mystery Language

Divided back, unused, Real Photo Postcard. AZO stamp box. Circa 1904 – 1918. Printed in Canada.

Price:  $8.00

The snow is piled up in front of two stylish ladies (check out all the trim on the young woman’s coat) who have posed for this photo. Their dog is beside them, and prominent in the background is what looks to be a church, just from the shape of the windows, and next to the church, a house. The branches of the bare trees are beautiful in this scene, too. Possibly the postcard photo originated in the same area as the sender’s address, so the card may be of historical interest for Saskatoon history buffs, as well as any Abrams descendants.

Baffled….for now

But the note from the sender of this card is a stumper. What language is it written in?  Deciphering can be tricky for old postcards in other languages due to abbreviations and sometimes misspelled words or former spellings of words used, let alone a person’s particular style of cursive, although the name and address are easily read on this one as:   “Mrs. Wm. Abrams, Saskatoon, Sask.”

Without being able to decipher but one or two words on the back (if that) we turned to searching for the receiver of this card to find their native tongue as stated on census records. There is a William Abrams and his wife Maria and their children listed on the 1911 and 1916, residing in Saskatoon, Saskatchewan, Canada. This would coincide with the postcard date of circa 1904 to 1918, per the AZO stamp box (all four triangles pointing upward, along with divided back starting December 1903 in Canada.) William was born in Russia and Maria in Germany. William’s declaration of intent, in his U. S. naturalization process, appears to show that he was born in Ekaterinoslav, Russia, which is now called Dnipro and lies within Ukraine….No other possible Abrams were found to fit our postcard, so this is all good info, even though it doesn’t help us figure out the writing on the back. Hopefully, we’ll get some help on the translation from somewhere!

Sources:  Year: 1911; Census Place: 30 – Saskatoon Ward 1, Saskatoon, Saskatchewan; Page: 26; Family No: 236. (Ancestry.com).

Year: 1916; Census Place: Saskatchewan, Saskatoon, 03B; Roll: T-21944; Page: 22; Family No: 247. (Ancestry.com).

National Archives and Records Administration (NARA); Washington, D.C.; Naturalization Records of the U.S. District Court for the Southern District of California, Central Division (Los Angeles), 1887-1940; Microfilm Roll: 21; Microfilm Serial: M1524.

Dnipro. n.d. https://en.wikipedia.org/wiki/Dnipro (accessed January 16, 2018).

Filipina In Baro’t Saya, Real Photo Postcard

Divided back, unused Real Photo Postcard. Juan Dela Cruz Studio. AZO stamp box, circa 1924 – 1949.

Price:  $12.00

A beautiful young woman in the traditional Filipino dress, baro’t saya, is posing for this portrait that was taken at the Juan Dela Cruz Studio. An unrelated online image was found on Flickr listing this studio location as Tondo, Manila, Philippines, and with an estimated date for that image as 1927. Our photo above of the unknown beauty may have been taken around this time, as well. The broader time frame of circa 1924 – 1949 comes from the AZO stamp box style on the reverse of the card.

The sender of this RPPC signed the back of the postcard but unfortunately, her signature is mostly covered by the black photo album paper the card had been glued to. We can only read what looks like the last two letters of her name (e-t). She wrote:

“Dear Aquiong, A Merry Xmas and a Happy New Year. Lovingly….”

Sources:  Ensemble-Philippines-The Met. Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/158138. (accessed December 30, 2017).

De Leon, Eduardo. “A studio portrait of a Filipina named Loleng. Juan Dela Cruz Studio, Tondo, Manila. 1927.” 25 Nov 2014. Online image. Flickr. 30 Dec 2017. https://www.flickr.com/photos/edlei/15695528537/in/photostream/

“Real Photo Postcard Stamp Boxes ” AZO (squares in all four corners). Playle.com. (accessed December 30, 2017).

Amelia, December 1911, Binghamton NY

Divided back, Real Photo Postcard, December 1911. CYKO stamp box.

Price:  $15.00

“Dec – 1911. A Merry Christmas & A Happy New Year to you, Amelia.”

Addressed to:   “Laura Weed, 23 College st, City.”

Here’s a pretty lady, maybe in her seventies, posing for the photographer and wearing a satin dress over a lace blouse with high-neck ruffled collar, wire-rimmed eyeglasses and an unusual-looking “hat-box” shaped hat. The name for this style of head wear is unknown (maybe someone can help us out with this one) and it’s really not terribly outlandish in comparison to many others from this time period. And though we probably think that the blouse under the dress rather spoils the look, I bet the overall effect of the colors in the hat and of the dress (wish we could see) were gorgeous….and uplifting!

So, with the name and street address on the card we were able to trace Laura’s location to Binghamton, New York. She was Mrs. Laura A. Weed, wife of Manford Weed. Most likely, Amelia lived in the same city as her friend Laura, however there are a number of Amelias that might fit:  Some possible surnames for Amelia are Wilcox, Tierney, Parsons, Gregory, Back, Bailey and Couse.

Sources:  Calkin-Kelly Directory Co.’s Binghamton City Directory, 1914. p. 491. Ancestry.com. U.S. City Directories, 1822-1995.

Calkin-Kelly Directory Co.’s Binghamton City Directory, 1915. p. 491. Ancestry.com. U.S. City Directories, 1822-1995.

Year: 1910; Census Place: Kirkwood, Broome, New York; Roll: T624_926; Page: 4A; Enumeration District: 0045; FHL microfilm: 1374939. (Ancestry.com).

A Merry Christmas From J. F. Dodd in 1906

Divided back, unused, embossed postcard, 1906. Publisher unknown. Series 108.

Price:  $7.00

A merry Christmas

This card, probably printed in Germany, shows an angel in a flowing pink gown carrying a small evergreen through the forest. Accompanying her is a deer bringing Christmas presents. True, we don’t see wings for the angel but then she is barefoot in the snow ( 🙂 this line strikes me funny for some reason) but anyway angel seems to be indicated. And many other cards can be found with this type of angel-tree-deer theme. (We have another one that we’ll put up next.) But underneath this beautiful scene is something that might be easily missed:  Two seated gnome-like characters (!) appear in the yellow area, like bookends only looking the wrong way.

As for the names on the back:  the card was from J. F. Dodd, Christmas 1906, for Stanley….Tisette/Tintle/Tintte…or ? His surname is pretty hard to read.

Bounteous Gifts For Sadie Barbettini

Divided back, artist-signed, embossed, unused postcard. Painting copyright by Frances Brundage. Printed in Germany. Publisher unknown. Series or number 219. Circa 1907 – 1914.

Price:  $10.00

A Merry Christmas.

Bounteous gifts from heaven’s choicest store

May you find Christmas morning,

showered at your door.”

Addressed to:  “Miss Sadie Barbettini, Guadalupe.”  The sender wrote:

“Accept my little present and my wish for a merry Christmas and happy new year, you[r] loving cousin Rose d’ “

Sadie Barbettini (spelled Barbetini) shows up in the 1900 Federal Census for Township 9, Santa Barbara County, California with her mother Mary P. Barbettini and older sisters Emma and Minnie. Sadie was born September 1895 according to this census. A number of earlier pages on this census show the name crossed off township name of Guadalupe, so this census should be the correct record for Sadie.

The 1910 census appears also for the family, still in Township 9. The girls’ mother is now Mary Jenkins, widowed, and she has two additional children, John and Mary Ann Jenkins.

Sources:  Frances Brundage. n.d. https://en.wikipedia.org/wiki/Frances_Brundage (accessed December 20, 2017).

Year: 1900; Census Place: Township 9, Santa Barbara, California; Roll: 110; Page: 8A; Enumeration District: 0254; FHL microfilm: 1240110. (Ancestry.com).

Year: 1910; Census Place: Township 9, Santa Barbara, California; Roll: T624_105; Page: 2A; Enumeration District: 0185; FHL microfilm: 1374118. (Ancestry.com).

Glad Jul

Divided back, unused Real Photo Postcard. Circa 1890s – 1910s.

Price:  $7.00

This postcard is addressed to:   “Matilda Pettersson”  so the assumption would be that she is not the young woman in the photo, though we can’t know for sure. But she’s beautiful and unmarried (no wedding ring) and is no doubt of Scandinavian descent. She wears a dark, long sleeved dress or skirt and blouse, with a stunning lace jabot, and is posed seated on a wicker chair. That is a photographer’s backdrop that shows the background scene of a table with flowers, rich draperies and wall mural or tapestry. Nicely done, as it’s maybe not immediately noticeable that it is a backdrop. This was given at Christmastime, with “Glad Jul”  (Merry Christmas) written in script:

Source:  Jabot (neckwear) n.d. https://en.wikipedia.org/wiki/Jabot_(neckwear) (accessed December 18, 2017).