Genealogy Services, Old Photos, Postcards, Trade Cards, Etc.

Turbaned Young Woman And Moon

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Divided back, Real Photo Postcard, unused. AZO stamp box. Circa 1907 – 1918.

Price:  $15.00

In keeping with the prior theater topic of the last post here is a dandy! A Real Photo Postcard showing a photo of a gorgeous and happy young woman, dressed in long skirt and blouse and wearing a head turban. She is seated on a stage or perhaps photographers prop that is a crescent moon. The moon is wonderfully charming with upturned smiling eye, substantial nose, and thin-lipped smile which shows his teeth, if you look closely. The young woman leans into the moon, head turned (in that flattering angle that photographers like), one hand resting in her lap, and the other draped around her buddy. The background props are some stars and a pennant with the lettering “Spokane.”  One imagines that this was might have been taken after a college play production somewhere in Spokane, Washington. Since it’s a Divided Back card and the stamp box shows AZO with all four triangles pointing up, the date of the postcard would be from about 1907 – 1918. The card shows some pin marks, so it was probably pinned to someone’s bulletin board for a time, before it made its way to a photo album. This one was found in an antique store in Soquel, California.

A Theater Troupe

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A Real Photo Postcard showing a wonderful, very clear photo of what appears to be a group of probably amateur theater actors, posing outside in a field. There are some houses in the background and we see part of a wooden building directly to their right. Perhaps this was taken after the production of a town play or commemorative event. The costumes appear to be from around the Civil War Era. In picking out some of the clothing and accessory details, of course the four top hats are a standout; there’s a newsboy hat on the young man fourth from the left; we have a gentleman in slightly dramatic fashion lighting or smoking a pipe on the right in the back row; the ladies bonnets with flowers and ribbons stand out, especially the higher-billed ones; there’s a beautiful velvet brocade? parasol; a drawstring purse; velvet-collared jackets on six of the men; a very distinctive (I’m no fashion expert but I’ve never seen this) cut-out design on the long sleeves of the young woman fifth from the left (if you look closely you’ll notice that this dramatic effect was obtained from buttons fastening at intervals down the sleeves.)

Real Photo Postcard, unused. AZO stamp box, circa 1910 – 1930.

Price:  $25.00

Joy And Happiness

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This card is probably vintage rather than antique; it appears to maybe be a copy, as the back of the card is white, rather than yellowed with age. If it is a copy, then I’d estimate the original to have been from about the 1880s – 1900. It shows a print of a little girl with rosy cheeks and light brown curls, wearing a yellow dress and white floppy hat and holding two red roses. Her image appears on the inside of an oval tambourine, the surface of which, (they call it the skin or membrane) has broken away to reveal the little girl. Above and below the tambourine are two bunches of grapes with their leaves, in two varieties. The phrase  “To Wish You Joy and Happiness”  appears on a rustic wood plank tied with a blue ribbon with the flower of one forget-me-not. I think this card’s design is perhaps linked to the grape harvest festival where this musical instrument may have been commonly played.

Vintage card. Date, artist and publisher unknown.   Size:  About 3 and 1/2 x 5 and 1/2″

Price: $5.00

You Are The Peach

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Beautiful 1907 postcard printed in Germany. The sender wrote,

“07/24/07  –  You are the peach of my eye  –  G.S.”  which is kind of funny as I think these are apples. Maybe G.S. couldn’t find a postcard with peaches 😉  The card is addressed to:

“Miss Laura Beck, 1408 Old Manchester Ave, Local”  and as the card was postmarked from St. Louis, Missouri, this must have been a St. Louis address. Laura L. Beck is found at this address on the 1910 Federal Census, living with her parents and uncle. The 1910 shows:  Herman P. Beck, born Illinois, about 1862, his parents born in Germany, occupation harness maker for wholesale; wife Maggie C., born Missouri, about 1867, her father born in Rhode Island, mother Missouri; Laura L., born Missouri, about 1890, occupation music teacher – piano from home; Gustave C. Beck, born Missouri, about 1863, occupation printer. This census shows Laura’s parents to have been married about 26 years, and have had another child that had died. The marriage appears online for them on May 12, 1884, Carroll County, Missouri. Maggies’s maiden name is Bradley.

I wondered whether Laura married her admirer, G.S. and did find that she had married, not to G.S. though (unless this was a nickname or something other than first and last initials) but to a Mr. Walmsey per the website Find A Grave. Sadly, Laura Leah Wamsley died in 1915, at only about age 25.

Divided back, used postcard. Postmarked July 24, 1907, St. Louis, Missouri. Publisher unknown. Printed in Germany.

Price:  $6.00

Sources:  Year: 1910; Census Place: St Louis Ward 23, Saint Louis City, Missouri; Roll: T624_821; Page: 13B; Enumeration District: 0354; FHL microfilm: 1374834. (Ancestry.com)

“Missouri, Marriages, 1750-1920,” index, FamilySearch (https://familysearch.org/pal:/MM9.1.1/V28Q-FT6 : accessed 01 Sep 2014), Herman P. Beck and Maggie C. Bradley, 12 May 1884; citing Carroll,Missouri; FHL microfilm 955961.

“Laura Leah Beck Walmsey” Find A Grave Memorial# 128599068, added April 26, 2014. Web accessed 1 Sep 2014.

Forget Me Not Annie Baxter

Forget Me Not Annie Baxter mc1Dear Annie mc1Dear Annie mc2

Two pages from autograph/souvenir type books from 1886. Artist and publisher unknown. Size:  About 4 x 6 and 3/4″ each.

Availability status:  SOLD

“Forget me not Miss Annie Baxter….”

“Dear Annie: 

May friendship and

Truth be with you in

Youth and catnip and

Sage cheer up your

Old age.

       –  Harry L. Wiley, Beckville, Tex., May 10th /86″

“I now a secret will unfold

Long has it smothered been

Oh never yet has it been told

Valued by fears with in

Eternal life demand

You must my secret keep

Oh in your bosom let it swell

Unconcious let it sleep.

Your Little Sister,  E. L. B.”  (middle initial L?)

A departure from our numerous postcards and photos, here are a couple of antique pages from a souvenir/autograph type book that would have been popular with students, from 1886. (Thank you Harry Wiley for recording the date and place.) Aren’t they beautiful, just look at those details! In the first one, two children, a little boy and an older girl are perched on a garden wall, watching some snails. Note the girl’s fingerless grey gloves, the lovely collars for both of them, and the hats (always hats!) There is writing on the back of this first card which is,  “Dear Annie, May your honest endeavors be a ….”  The writer did not finish this thought. The back wasn’t scanned – just to save having to fold the paper too much, and the poem recorded here by Annie’s sister was not found online, so is a mystery as far as name and author. Perhaps the sister was the poet? I must admit I don’t quite understand the poem; perhaps the subject of the verse is Love. The first poem is cute, and was one of a number of sayings written down by many a school chum, maybe at the end of the school year. The second card shows a drawing of pretty young mother, from inside the house, handing her daughter a rose through the open window. The little girl is out in the yard with the flowers and a rather large butterfly.

Harry Wiley is on the 1880 Federal Census for “Beat No. 2”, Panola County, Texas. He was born in Louisiana, about 1868. The census is:  Sarah Baxter, widowed head of household; her daughter Ella, son Harry, stepson John Baxter, nephew Thomas Davis, and niece Ellen Riband[?] It would appear that Wiley would have possibly been Sarah Baxter’s first married name (but evidence was not found). Ancestry has a family tree that shows Annie Baxter born in Texas 1871, showing John Baxter as brother.

Sources:  Year:  Year: 1870; Census Place: Beat 2, Panola, Texas; Roll: M593_1601; Page: 265B; Image: 76; Family History Library Film: 553100. (Ancestry.com)

1880; Census Place: Precinct 2, Panola, Texas; Roll: 1322; Family History Film: 1255322; Page: 216C; Enumeration District: 061. (Ancestry.com)

Year: 1900; Census Place: Cleburne, Johnson, Texas; Roll: 1649; Page: 21B; Enumeration District: 0057; FHL microfilm: 1241649. (Ancestry.com)

A Handsome Guy

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Real Photo Postcard. AZO stamp box. Circa early 1910s.

Price:  $10.00

Real Photo Postcard from sepia-toned studio photo of a beautiful blonde little boy who looks to be about four or five. He wears the ever-popular white sailor suit, in short pants, with knee socks and two-toned high button shoes. He is seated on a small ornately carved wooden table. The stamp box on the back is an AZO with two triangles up and two down. That dates this postcard in a broad range from about 1910 – 1930, but if the photo was taken within these dates, and not prior to 1910, then more likely it is from the early 1910s due to the shoe style. (I consulted various online sources.) An excellent article on the high button shoe explains that one aspect of the change away from the high button would have been due to the leather rationing during WWI.

Source:  “Button, button.” Who Were They, February 24, 2012. Web accessed 30 Aug 2014. [http://whowerethey.wordpress.com/2012/02/24/button-button/]

Surf Scene, Peaks Island, Maine

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The third post in a surf scene theme (no surfers, though, sorry):  This one was designed to appear as if the viewer is looking at a framed ocean view of the surf crashing upon the rocks….Peaks Island is located in the Casco Bay, about three miles from downtown Portland, and is actually part of the city of Portland. In the late 19th century it was a popular tourist destination and known as the Coney Island of Maine. Today it is still a popular vacation spot as well as being home to artists, retirees, and commuters. It has among it’s points of interest, the one of a kind Umbrella Cover Museum, WWI and WWII bunkers, the Fifth Maine Regiment House where Civil War Vets and their families spent their summers, and prior ties to Hollywood.

I wondered how the island got it’s name though; so went searching and came up with a published account in 1897 by author Nathan Goold, who wrote that there were evidently several names before the present one:

“The first known name of the island was Pond, but that name was changed by George Cleeve to Michael’s Island in 1637. Probably about 1661 it was called Munjoy’s Island, for George Munjoy, and then about 1670 it became known as Palmer’s Island, for John Palmer, which name it seems to have borne up to the re-settlement of the town in 1716, although it was then sometimes called Munjoy’s Island. Perhaps soon after the town was re-settled the island became to be known as Peaks Island, although there is no known reason why that name was taken. Joseph Peake was a soldier in Capt. Dominicus Jordan’s Company in 1744; he may be the man for whom it was named, as he must have lived at Cape Elizabeth or perhaps on the island. There appears no record of any person of that name ever owning the island before 1741, when it was called Peaks Island.”

Goold’s “author’s note” at the beginning of the book is a great one. He states his intent as to give the early story of Peaks and House Islands, and their families, and goes on to say,  “It has been truly said that it is human to err, and if the reader finds that errors have crept into the narrative, it must be expected, as a perfect history has yet to be written.”  So true!

Divided back, unused postcard. Publisher:  G. W. Morris, Portland, Maine. Printed in Germany. Circa 1907 – 1914.

Price:  $6.00

Sources:  Peaks Island, Maine. n.d. http://en.wikipedia.org/wiki/Peaks_Island,_Maine (accessed 29 Aug 2014).

Morrill, Allison C. Peaks Island Maine. 2002- 2014. Web accessed 29 Aug 2014 [http://peaksislandmaine.net/Peaks.shtml]

Goold, Nathan. A History of Peaks Island And Its People. Also A Short History of House Island, Portland, Maine. Portland, ME:  The Lakeside Press, 1897. p. 8. Web accessed 29 Aug 2014. Internet Archive. [https://archive.org/stream/historyofpeaksis00gool#page/n5/mode/2up]

By The Sad Sea Waves

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Divided back, used postcard. Postmarked June 2, 1908, Idaho (city unknown.) Publisher unknown.

Price:  $20.00 

A wonderfully unusual postcard showing a drawing of a man in an old-fashioned bathing suit (the card is postmarked 1908) who is bald on top with a fringe of hair around the side. He has a large belly, has his dog with him, and they are standing at the seashore, crying. The waves are sad and are crying and the clouds are also crying. A sailboat appears off in the distance. Much of the drawing is in blue, like a pen and ink type drawing, but it has a beautiful bright yellow color for most of the sand and waves. (The poor dog looks so sad.)

The surprising thing (for most of us) is that the caption for this one has been around a while. And it is just so fascinating to make these types of discoveries; looking back over a week’s worth of research, and getting that sense of the postcard turning into kind of an invisible, then visible doorway. The doorway materializes (a shimmery effect I’d say) at the point of realization that there’s so much more to this one than meets the eye. The phrase in the spotlight for this post had lasted for at least 77 years. Who knows for sure who coined the original?  By The Sad Sea Waves also came up referenced on a great website for slang of the Old West, which got me imagining the reverse of us looking back:  those in the past looking forward at us (why not? It’s a physics thing) and finding our sayings today just as perplexing, interesting and delightful as we find theirs. This postcard takes us back through the years and touches different media, from film in 1917, which was going forward from the postcard date – back to a newspaper cartoon in 1905, back to a music hall song in 1895, back to several paintings, one of which is circa 1878, and prior to that a ballad in an opera written in about 1844. Starting with the most recent and traveling backward we have:

Comedian Harold Lloyd in one of the scenes from the silent movie By The Sad Sea Waves, which debuted in 1917. (By permission from Harold Lloyd Entertainment.)

Harold Lloyd in BTSSW

Political cartoonist Clifford K. Berryman’s By the Sad Sea Waves, which appeared in the Washington Post, August 31, 1905. The gentleman in the postcard has similar characteristics to one of the characters below. (And the captions are a scream.)

Berryman BTSSW Cartoon

Music hall song lyrics for By The Sad Sea Waves written in 1895 by Lester Barret and Lester Thomas:

“In the glorious summer season, everybody takes a trip,

To the seaside; for enjoyment, on the sands they gaily skip;

Married men with wives and children, single Johnnies, on the mash;

Pretty girls who seek for husbands, who have pockets full of cash.

By the sad sea waves, where the ladies are so charming;

By the sad sea waves, in the glorious summer time,

With their fetching smiles and dresses, rosy lips and golden tresses,

Shady nooks and sly caresses, by the sad sea waves.

At the boarding house in Newport, Percy Vere met Gladys Gray;

Soon he showed his fond affection, took her driving every day.

By his tone he seemed  a marquis, she had jewels in galore;

So they formed a love engaqement, as they strolled along the shore.

By the sad sea waves, every night he took her strolling;

By the sad sea waves he would swear his heart was gone!

She’s the only girl he sings to, she’s the girl he says nice things to,

Promised lovely diamond rings to, by the sad sea waves!

When their holidays were over and they had to say adieu;

He, to join his yacht at Brighton, she to join her papa too;

They agreed to write each other Billet Doudlets every day,

And when he’d his mansion ready, they’d be married right away.

From the sad sea waves back to business, in the morning’

From the sad sea waves, to his humble ‘five a week!’

In a cafe he goes dashing, who should bring his plate of hash in,

But the girl he had been mashing by the sad sea waves!

 

British artist Frederick William Hayes’ (1848-1918) oil painting By The Sad Sea Waves. (Photo credit to Tullie House Museum and Art Gallery Trust. Used by permission from the BBC website Your Paintings.)

Frederick William Hayes BTSSW

An engraving appearing in The Art Journal of the painting By The Sad Sea Waves by British-born American artist John George Brown (1831-1913.) The original painting was displayed in an exhibit in 1878 at the National Academy in New York.

Art by J G Brown

Sheet music with cover showing announcement for England-born opera singer Sara Elizabeth Flower’s (1823-1865) performance in 1850 of the ballad By The Sad Sea Waves from the opera The Brides Of Venice. (1844) Music by Sir Julius Benedict, lyrics by J. L. Lambert. The performance took place May 3, 1850 at the Royal Victoria Theatre in Sydney, Australia. (Obtained online from National Library of Australia.)

Sheet Music Cover BTSSW

BTSSW1BTSSW2BTSSW3BTSSW4

There is also a poem attributed to I. L. Cosham under the title By The Sad Sea Waves which appears in an 1895 publication of The Fisherman, a monthly publication for The Gloucester Fisherman’s Institute. Not much was found for Cosham other than a reference to “Celtic Poets.” A watercolor painted in 1853 titled By The Sad Sea Waves was found for England-born Australian artist Charles Norton (1826-1872) and as you can guess, a number of other references to or works of art under the same title, show up online (which we won’t get to here, being anxious to move on to the next subject.) But we’re left with that delightful feeling of having explored some hitherto unknown roads.

Almost last but not least, this one is part of the Alice Ellison Collection. The sender writes:

“Hello Cousin, Hope you are well now. Be good and come to see me. Also send me a postal if you please. Lentie.”  The card is addressed to:  “Miss Bessie Ellison, 26th & Cheyenne Ave., Pueblo, Colo.”

Lastly, the same postcard is showing up for sale online, in a couple of places at the time of this post, for between about one dollar and several dollars. Were this card in very good condition, I would be want to place the value at about $20.00 because of the history attached to it, but it’s certainly not in good shape, what with the missing left corner. If interested in purchasing, just make an offer.

Sources:  Scheer, Ron. “Glossary of frontier fiction: B (buck ague – ‘By the Sad Sea Waves’).”  Buddies in the saddle, September 28, 2013. Web accessed 27 Jul 2014.

U.S. Senate, Office of Senate Curator, Berryman Political Cartoon Collection. (compiled 1896-1949) National Archives identifier 6010614. Web accessed 27 Jul 2014.

Barret, Lester and Thomas, Lester, song By the Sad Sea Waves (1895). From monologues.co.uk Music Hall Lyrics Collection. Accessed 22 Jul 2014

Tullie House Museum and Art Gallery Trust. Your Paintings.
Copyright British Broadcasting Company. n.d. Web accessed 27 Jul 2014.

Brown, John G., painting By The Sad Sea Waves.
The Art Journal for 1878, Vol. 4. D. Appleton & Co., New York. p. 289. Web accessed 26 Jul 2014. (Google eBooks)

John George Brown. n.d. In Wikipedia. Accessed 25 Jul 2014.

Gyger, Alison. “Flower, Sara Elizabeth (1823-1865).”  Australian Dictionary of Biography. 2005. Web accessed 24 Jul 2014.

Benedict, Julius and Lambert, J.L., Ballad By the Sad Sea Waves, National Library of Australia, Digital Music Collections, an14181939. Web. Accessed 30 Jul 2014.

Julius Benedict. n.d. In Wikipedia. Accessed 27 Jul 2014.

Cosham, I. L. poem By The Sad Sea Waves. The Fisherman. Vol. 1, No. 6, June 1895. The Gloucester Fisherman’s Institute. p. 96. Web. Accessed 27 Jul 2014. (Google eBooks)

Norton, Charles. Watercolor painting By the Sad Sea Waves. State Library of Victoria. Web.Accessed July 27, 2014.

Asilomar, Monterey County, CA

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Divided back, used postcard. Postmarked circa 1915, California. Publisher:  Cardinell Vincent Co. Mfg. San Francisco, California.

Price:  $7.00

Y.W.C.A. Conference Grounds, Asilomar, Monterey Co., Calif.

The most likely year of this postcard is 1915. The last number in the postmarked year is hard to read, but it shows a young woman in a long skirt and a hat, the time period looks to be at the turn of the century, sitting on one of the seaside rocks, gazing out at the Pacific Ocean. The setting is as stated above, the Young Women’s Christian Association conference grounds, in Monterey County (Pacific Grove, CA.) The YWCA played a very important role in providing shelter to women at this time who were moving to the big cities in search of work. The YWCA offered vocational classes in subjects such as money management, sewing, cooking, and typing, and held meetings attended by students, staff and supporters, providing what must have been much needed moral support and practical advise for women trying to break through to the male-dominated work force.

The name Asilomar was the winning entry chosen from a YWCA sponsored contest. It was submitted by Helen Salisbury, a Stanford University student, and stands for “refuge-by-the-sea” from the Spanish asilo for retreat or refuge, and mar which means sea.

The location of the postmark is also hard to read. We see the letters ASTL? (Castle?). Card addressed to “Miss Ella Ellison, 1314 – F street, Sacramento, California.”

The sender wrote,  “Dear Ella:  ‘You don’t say.’  Of course I do. Having ever so good a time and the kiddies , I wish you could see them. The sun is sinking in the west (looks like it is drowning in the ocean. B.C.”

Source:  “The Complete Story, Asilomar is Born.”  Aramark. Web accessed 28 Aug 2014 [http://www.visitasilomar.com/history/asilomar-the-complete-story.aspx]

Helma Greiner

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Here’s an old Real Photo Postcard of a beautiful German woman that was found at a recent San Francisco Vintage Paper Fair. (You can barely see the dotted lines on the back of the card, noting the stamp box which seems to confirm that this is an RPPC.) I bought this one for two reasons:  I love the composition of this photo, the woman’s lovely profile, the gorgeous bit of ironwork just to her left, and secondly because she immediately reminded me of my grandmother – of course also beautiful – who was Felicitas Emma Maria (Voss) Oliver. My grandmother was of full German descent, from Cincinnati; both sets of her grandparents were born in Germany, so I was tickled but not really surprised to learn that Helma was German. Thanks so much to Sharon, who sold the photo to me, who kindly looked up all the information she had on Helma, which I’ve included below in her email to me:

“This woman was named Helma Greiner. I don’t know her parents’ names (possibly the mother was named Mathilde or Hilda) but Helma was one of 6 children from a well-to-do German family that for a short-time lived in Bologna, Italy (around 1880). Helma had a twin named Tilla who died at the age of 5. They were both born in Germany approximately 1878. Helma had another sister, Adelheid (Ada) and 3 brothers, Otto, Ernst and Adolf. Leaving Italy,  the family went to live in Moscow for a while – perhaps 10 years, and lived there until the very early 1900s and then the family moved to Dresden, then Jena, Germany. This photo was taken, I think, sometime between 1905 and 1915. I can’t say for certain WHERE this photo was taken (Dresden or Jena). Ernst was killed in Belgium 1914 during WWI. Otto was also a WWI soldier but faked being goofy to avoid being sent into conflict.

 They were a very lovely and attractive family (and all were blonde). Their descendant is an 80+ year old German lady with whom I met several times about buying the family photo albums – and she had many nice stories. A lovely lady. I think all the good photos of the family are already sold, but believe there are still a few of Helma during the “wandervogel” in Germany. Should I come across them in my “credenza”, I’ll let you know!”

Check out Sharon Karam’s website at www.darosieplanet.com with a link to her eBay store that has tons of way cool antique and vintage ephemera for sale.

Just on a last note, at least for now, I did do a quick search for Helma Greiner and family (nothing time-consuming, you understand.) Nothing jumped out at me in online records or family trees, but wouldn’t it be something if there was a relation to Helma and my grandmother, Felicitas. Maybe I’ll get around to searching later (for now – so much other stuff to put up – waiting in acid-free containers, of course.)

 Real Photo Postcard in shades of brown and white, circa 1905 – 1915.  Publisher unknown. Series or number:  C44.  Size:  About 4 and 1/4 x 3 and 1/2.”

Price:  $15.00