Triplett Loop Setter

Triplett Loop Setter

Business card for James Melvin Triplett (1886-1947), manufacturer of the Triplett Loop Setter, address 607 Shotwell St., San Francisco, California. Card circa 1916.

Price:  $10.00

Well, the first question is – What is a loop setter? One might imagine it had something to do with textiles, but it is actually a term from the old movie industry. One of the entries under the heading of recently patented inventions in the Scientific American, published in 1914, is for Triplett’s Loop Setter:

“Loop Setter, – J. M. Triplett, 6 North Columbia St., Wenatchee, Washington. This invention relates to moving picture apparatus and provides means for setting the loop of the film without interfering with the operating of the machine. The mechanism is of a simple nature under the immediate control of the operator. It is adapted for use in connection with any standard moving picture machine.”

Wow, if you’d like to get sidetracked, look through this 1914 publication. There are articles, photos, advertisements, classified ads, and of course, other patent listings like the one above. The entry three up from this one is for a “torpedo steering mechanism.”

James M. Triplett married Anna A. Kreth in 1909 or 1910, according to the 1910 Federal Census for San Francisco. The interesting thing about this census is that James’ occupation is given as Baseball Player (currently employed). His name is not showing up in any online references for minor league players, though. Too bad, as that would be another very interesting line of research – what team he played on, etc. On the 1910, he and wife, Anna, are living with Anna’s mom, widowed head of household, Anna A. Kreth, and the widow Anna’s older daughter (the younger Anna’s sister) Aline (Caroline) Watson and Aline’s husband, Albert Watson. Aline and Albert are listed here respectively, as theater actress and actor. So, it would seem that James might have gotten his start in the movie film industry through his wife’s sister and brother-in-law. (No references were found for Aline and Albert Watson, but maybe they used stage names.)

James Triplett was born either in 1885 or ’86 (his WWI Draft Registration Card shows he gave 1886 as the year but the California Death Index shows ’85.) A Washington State Census for Kent in 1892, shows him with his parents and siblings. The 1900 Federal Census shows San Jose, CA with mother and some of the siblings, married brother as head of household. The 1910, 1920 and 1940 show San Francisco: the 1910 is mentioned above; the 1920 shows James and Anna with their two young daughters, James working as a machinist and owner of a stage manufacturing company, with them is Albert Watson and his wife Caroline (Aline), Albert is now listed as bookkeeper for stage manufacturing company, (so probably working for James); the 1940 shows James’ occupation as motion picture operator, with wife, Anna, their two daughters and Caroline (Aline) Watson, widowed. James was the son of Silas D. Triplett and Rebecca N. Mothersead (mother’s maiden name according to family trees on Ancestry.com)

Another reference to the Triplett Loop Setter is found online indicating:

“THE LAEMMLE FILM SERVICE, Minneapolis, U. S. A. NOW READY FOR DELIVERY “Triplett’s Loop Setter” For Power’s, Edison and Motiograph Machines. ALL MODELS. Do away with operators’ “Bugaboo” by installing “Trip- lett’s Loop …”

The above is found in The Moving Picture World, Vol. 22. This is full (and extremely long) text re the film industry in 1914. The full reference is in there somewhere but (good grief!) who has time to search for it? Like the Scientific American publication, this one from the film industry of it’s day is fascinating and diversionary, showing all kinds of film-related entries, including descriptions of the plots of movies, with great names like, “Hello Mabel”, “A Law Unto Herself”, “The Phantom Light”, “When Slippery Slim Met the Champion” and “The Family That Did Too Much For Nellie”. The description on this last one is, “How a family discovered that it didn’t pay to Doll Up the cook in Glad Rags.”

Sources:  Scientific American, Vol. CX, No. 25, June 20, 1914; Page 509. Munn & Co., Inc. Publishers, New York, N.Y. (Google eBooks)

https://www.google.com/search?tbo=p&tbm=bks&q=%22triplett+loop+setter%22&num=10

http://chestofbooks.com/reference/Wonder-Book-Of-Knowledge/The-Story-Of-The-Motion-Picture-Projecting-Machine.html

Ancestry.com. Washington State and Territorial Censuses, 1857-1892 [database on-line]. Provo, UT, USA: Ancestry.com Operations Inc, 2006. Original data: Washington. Washington Territorial Census Rolls, 1857-1892. Olympia, Washington: Washington State Archives. M1, 20 rolls.

Year: 1900; Census Place: San Jose Ward 2, Santa Clara, California; Roll: 111; Page: 1B; Enumeration District: 0067; FHL microfilm: 1240111. (Ancestry.com) Year 1910; Census Place: San Francisco Assembly District 32, San Francisco, California; Roll: T624_96; Page: 1A; Enumeration District: 0058; FHL microfilm: 1374109. Year: 1920; Census Place: San Francisco Assembly District 26, San Francisco, California; Roll: T625_135; Page: 4B; Enumeration District: 111; Image: 399. Year: 1940; Census Place: San Francisco, San Francisco, California; Roll: T627_302; Page: 5B; Enumeration District: 38-108. (Ancestry.com)

San Francisco City Directory for 1916. Ancestry.com. U.S. City Directories, 1821-1989

Registration State: California; Registration County: San Francisco; Roll: 1544243; Draft Board: 6. Ancestry.com. U.S., World War I Draft Registration Cards, 1917-1918.

Ancestry.com. California, Death Index, 1940-1997 [database on-line]. Provo, UT, USA: Ancestry.com Operations Inc, 2000. Original data: State of California. California Death Index, 1940-1997. Sacramento, CA, USA: State of California Department of Health Services, Center for Health Statistics.

Moving Picture World (Volume 22) Oct-Dec 1914. http://archive.org/stream/movingpicturewor22newy/movingpicturewor22newy_djvu.txt

Faith

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Old card,  circa 1890s – 1910.

Price:  $5.00       Size:  About 2 and 1/2 x 4.”

“The just shall live by faith. – Heb. 10.38.”

Small card with bible verse, possibly from the Victorian Era. Maybe it was used as a calling card. It has the name Walter Hartwell written on the back. This wonderful image was surprisingly hard to describe at first, but denotes faith. The verse, combined with the image, to me means that the continued practice of honesty and kindness bring faith, faith then carries us and protects us, allows us to see the sweetness in life and to know that we are never alone. The card shows a little girl in winter taking a break from picking holly (per the basket beside her). It’s lightly snowing and she is sitting on the ground, under her umbrella, which is keeping off the snow. Two birdies have come to greet her. Though she is not dressed in fine clothes or even very warmly, we can see by her beautiful expression that she is spiritually rich and walks in faith.

G. Meachum Millinery

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Calling card, circa 1880s – 1900

Price:  $7.00             Size:  About 2 and 1/4 x 3 and 1/4″

Calling card for G. Meachum in the millinery business, who was located on Main St. in Eaton Rapids, Michigan. As of the date of this post, a record of G. Meachum has not been located in online sources, though there is a reference found for a Mrs. M. H. Hackings, millinery on Main St. in the same city.

This calling card shows the oft-used (but lovely) image of a hand and flowers. In this card the flowers offered are forget-me-nots, and part of the sleeve is visible, a blousy sleeve gathered at the wrist with a studded gold band, with the offer-er wearing a gold and blue ring on the little finger.  Does this remind you, too of an old arcade fortune-teller gypsy? Estimating the date of the card is maybe from the late 1800s.

Source:  Polk’s Michigan State Gazeteer and Business Directory for 1875. R. L. Polk & Co., Compilers. The Tribune Printing Co., Detroit, 1875. Page 339. (Google eBooks)

Isaac Sevier Calling Card

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Calling card, circa 1880s – 1900

Price:  $7.00         Size:  About 2 x 3 and 1/2″

Calling card for Isaac Sevier. A little beat-up looking, with glue marks on the back. It was probably taken as carefully as possible from the scrap book page or whatever it was attached to. There’s a slight tear in the card, not too noticeable. It would be wonderful to find a card that had been used by your ancestor or even distant relative, no matter what shape it’s in, however a quick search online shows quite a number of Isaac Seviers in the United States. None are coming up in a quick search under Canada. The flower with bow on a gentleman’s card might seem surprising, but according to the Victorian Rituals website, a floral design was used by both men and women. Check out the detailed work around the capital letters – it’s really nice.

Source:  http://home.kendra.com/victorianrituals/victor/ritualsIII.htm

Wilhelmine S. M. Gathje Calling Card

Wilhemine S. M. Gathje

Calling Card, circa 1880 – 1899. Gold-flowered background not part of card.

Price:  $15.00

White calling card with decorative raised border for Wilhelmine S. M. Gathje. (The gold-patterned background was just for scanning purposes.) This card was beautifully done. Check out the surprise under the S!  And according to online birth and death information Miss Gathje was born in 1864 and died in Nebraska in 1899, so this card could be from about 1880 – 1899.

Source:  Find A Grave Memorial #74357733. http://www.findagrave.com/cgi-bin/fg.cgi. (Ancestry.com)