Young Woman Wearing Striped Sash

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Divided back, Real Photo Postcard, wide border. Unused. Circa 1910 – 1920s.

Price:  $6.00

A dark-haired young woman with bangs and hair pulled up in a top bun, wears a loose-fitting white blouse and…..are those trousers? Possibly, but more likely the question’s come up just due to the way the skirt is hanging. Not that trousers would have been unheard of, especially with and after WWI (the vacated jobs being filled by women, the practicality of pants, etc.) But to continue – around her hips is a wide, striped cloth accessory, pinned in place, giving the outfit a nice bohemian look. (The “belt” in the limelight reminds me of the Ceinture fléchée, the cloth, arrow sash that the French-Canadian voyageurs used, though there is no arrow design in this one.) And she’s posed at the foot of a flight of wooden stairs – the setting is rustic, working-class, we see an opening to maybe a store or warehouse on the ground level behind her. Maybe the building housed a flat above a shop or was a two-story business. Also of note, the young lady’s jewelry – earrings, a bracelet of (presumably) gold or gold-tone, and two rings, one a possible wedding ring.

Dating the card:  The reverse of this Real Photo Postcard – no stamp box, with its simple lettering style and “Correspondence Here,” “Name and Address Here” and its very short Divided Back line doesn’t, as far as I’ve seen, and according to Playle’s, have any verified to-and-from dates, (that’d be a time-consuming project, for sure) so we’re just estimating by general experience with clothing style and RPPCs.

Sources:  Ceinture fléchée. n.d. See link for URL. Accessed February 16, 2023.

Real Photo Postcard Stamp Backs:  Unknown Manufacturers. Playle.com. (Accessed February 16, 2023).

Jorgen aka Jergen Vind

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Divided Back, Real Photo Postcard. AZO stamp box. Circa 1922.

Price:  $15.00           Size:  5 and 1/8 x 3 and 1/8″

This one was slightly cropped it seems, but it’s almost full size for an RPPC. And a very cute portrait of one Jorgen Vind, age about five. Let’s see how many Jorgen Vinds there might be in records:

After a little searching, we can confidently say this is Jorgen aka Jergen Paulson Vind, born September 19, 1917 in Crockett, Contra Costa County, California. Crockett is located about 28 miles northeast of San Francisco. The 1920 Federal Census for Contra Costa shows parents, Jerry Vind, born about 1868 in North Schleswig, Germany, (now part of Denmark) native language Danish, and Elizabeth, born about 1885 in Ireland, and children, nine-year-old Anna and two-year-old Jorgen. From the CA birth records we learn that Elizabeth’s maiden name was Kerr.

Jergen P. Vind married Pat A. Peters, November 6, 1954 in San Francisco, California.

Jergen died in Reno, Nevada, January 21, 1998.

Sources:  State of California. California Birth Index, 1905-1995. Sacramento, CA, USA: State of California Department of Health Services, Center for Health Statistics.(Ancestry.com).

Year: 1920; Census Place: Township 12, Contra Costa, California; Roll: T625_95; Page: 9B; Enumeration District: 26. (Ancestry.com).

Schleswig-Holstein. n.d. https://en.wikipedia.org/wiki/Schleswig-Holstein (accessed February 15, 2023).

National Archives at St. Louis; St. Louis, Missouri; WWII Draft Registration Cards for California, 10/16/1940-03/31/1947; Record Group: Records of the Selective Service System, 147; Box: 1872. (Ancestry.com).

Ancestry.com. California, U.S., Marriage Index, 1949-1959.

Nevada State Health Division, Office of Vital Statistics. State Death Index. Nevada Department of Health and Human Services, Carson City, Nevada. (Ancestry.com).

Est ce d’un regard, d’un sourire…..

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Divided Back, unused French postcard, circa 1920s. Publisher:  A. Noyer. Series 3268.

Price:  $6.00

Enlarge the image (twice) and you’ll see that there are a lot of creases on the front of this card, so it’s not in good shape but still, the subtle color variations and the softness, not to mention the romance and sender’s message make this a great one for Valentine’s Day….

“Est ce d’un regard, d’un sourire que vous avez su me séduire?”

Is it with a look, a smile, that you were able to seduce me?

Hopefully, I’ve deciphered and translated the reverse well enough for now, in hopes of having a French speaker look this over in the near future. The sender, “Louteke” is certainly a name I’ve never heard before, and doesn’t show up online. With luck, we can get clarification on that, too.

“Mon Chèr Petit Marcel,

Je suis très bien arrivée et Père était à la gare. Je ne devais pas changer à Courtois[?] J’étais content Georges à chercher la carte. Elle n’est pas très belle. Je m’ennui à mourir si loin de toi. Je ne sais pas est tu bien [?] Oui mon Chèr. Dort bien et mille gros bisous de[?] Chère Louteke qui pense beaucoup à toi mais quelle beau temps n’est pas Chèr à mardi soir. Je vais en promenade demain après midi. Mère est très content de son étagère et bien[?] les complements [?] et Père. Dort bien Chèri et pense beaucoup à moi, tu sais encore. 100 gros bisous de ta Chère Louteke.” 

My dear Marcel,

I arrived very well and Father was at the train station. I didn’t have to change at Courtois[?] I was happy George looked at the map. She [the town?] is not very beautiful. I’m bored to death so far from you. I don’t know if[?] you are fine. Yes, my dear? Sleep well and a thousand big kisses from dear Louteke who thinks about you a lot, but it’s not a long time Dear, till Tuesday night. I’m going for a walk tomorrow afternoon. Mother is very happy with her shelf and [sends?] regards from her and Father. Sleep well, darling and think of me a lot, you know again. 100 big kisses from your dear Louteke.

A 1910s Fashionista

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Old photo, white border. Circa 1910s.

Price:  $12.00           Size:  3 and 1/4 x 4 and 1/4″

When I come across photos like these, I wish I’d studied the history of fashion –  extensively. I’d rattle off all the particulars of this beautiful young woman’s outfit. Not having done so leaves me feeling rather inept at describing, but to have a go at it – she’s showing off a suit, perhaps handmade, the skirt hem falling above the ankles, along with a jacket with very wide lapels. Those extend up (with cutouts for shoulders) into a large collar in the back. (Or, maybe better to say an over-sized shawl collar with shoulder cutouts.) The jacket is tied at the waist, its lower portions are not meant to close, rather to fall openly below the hips. The young lady is posing with hands behind her back but you can detect lace – flowing and attached at the sleeves just below the elbows. Glancing up at the lapels again, a minor light bulb goes on:  Lace? Yes. Ahhh, (nodding head) the continuity factor. Normally we’re happy with black and white photos (so elegant) but it would have been nice to see the colors in this one. (Fashion experts will likely know the material and be able to narrow down the hues.) Note the interesting subtle creases showing on the insides of both sleeves – I’m not sure if this was by design or had occurred with wear due to the type of fabric. To complete the look, our fashionable friend wears either a headband or hat, which blossoms out for a grand effect on one side, (love it) and a choker-type necklace with round pendant. Sometimes one gets lucky in finding an example in old newspaper ads of a searched-for style, so I looked there and elsewhere via Google. Luck was not found, precisely, but of interest, a very charming illustration of some more sedate versions of tailored womens’ suits appearing in the Spring of 1915, (it was suit week at Scarborough’s) in the Austin American-Statesman (Austin, Texas):

Source:  Austin American-Statesman, April 4, 1915. Sunday, p. 15. (Newspapers.com).

Young Woman With Horse

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Real Photo Postcard. Unused. Circa 1907 – 1909. AZO stamp box. 

Price:  $5.00

No writing on the back, so no way to offer up a great find for any potential descendant on this one. But, sometimes you’re just drawn to a photo or postcard image, and I think this one is beauty in its simplicity:  Girl and horse, part of a barn, a couple of trees, wooden fence, rolling hills – a nice blast back to our rural American past.

Looking off to her left, the young woman in skirt and blouse, hair pulled back in a bow, holding the rope halter of her horse, the animal’s expression faces the camera. (The nuances are lovely – who is looking where.) And first impressions are always interesting. To me, the girl’s skin coloring appears to be a trifle dark; she strikes me as being part Native American or having gypsy background. Of course, that’s only an impression on my part, and not meant to be taken as anything, really – only to share the thought. Do you think she wears wire-rimmed eyeglasses or is that a trick of the light? The horse (no horse expertise here on my part) looks young, and I like the square “star” appearing on his forehead. (Apparently the white markings, other than the vertical blaze, are called stars, no matter their shape.)

Per Playles, this particular AZO stamp box (on reverse) with diamonds in corners is dated from 1905 – 1909. We presume Real Photo Postcards followed the same U. S. postal regulations regarding “Divided Back,” the ruling for which started March 1, 1907. So, the date, at least, can be happily narrowed down to 1907 – 1909.

Sources:  Sanderson, David. “Naming Head Markings on a Horse.” Dallas Equestrian Center, May 13, 2015, http://www.dallasequestriancenter.com/naming-head-markings-on-a-horse/#:~:text=Star,of%20whether%20it%20resembles%20one. Accessed February 11, 2023.

Playle’s:  “Real Photo Postcard Stamp Boxes, A – B.: https://www.playle.com/realphoto/photoa.php. (accessed February 11, 2023).

Marie Rubens, Circa 1913

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Real Photo Postcard, unused. AZO stamp box. Circa 1912 – 1914.

Price:  $15.00

Most likely the young lady in this postcard photo is Marie Cecilia Rubens, born May 13, 1897 in Gervais, Oregon, daughter of Joseph Rubens and Matilda Vanderbeck. We’re estimating Marie was about fifteen or sixteen when this was taken. She’s shown in a  white, long-sleeved dress, the collar gathered in ruffles under the chin, hemline just below the knee, hair pulled back in a dark bow. She stands behind a wooden folding chair, in front of a photographer’s backdrop of wooded hills.

Marie’s given this postcard to:   “Gertie Bowley, Gervais, Oregon.”

Gertrude Bowley, from the 1910 Federal Census in Gervais, was born about 1895 in Oregon, daughter of William and Barbara Bowley. Also on this census are Gertie’s younger siblings, Joseph, Mary, William and Florence. Barbara Bowley’s maiden name was Ferschweiler per Gertie’s marriage record (to Luther Garrett).

Marie Rubens married Lawrence Ferschweiler, so there’s a family connection between the subject of this card and its recipient, though we won’t spend time pinpointing the exact relationship.

Sources:  Oregon State Archives; Salem, Oregon; Oregon, Birth Records, 1842-1902, 1917. (Ancestry.com).

Year: 1910; Census Place: Gervais, Marion, Oregon; Roll: T624_1284; Page: 2B; Enumeration District: 0210; FHL microfilm: 1375297. (Ancestry.com).

Washington State Archives; Olympia, Washington; Washington Marriage Records, 1854-2013. (Ancestry.com).

Oregon State Archives; Salem, Oregon; Oregon, Birth Records, 1842-1902, 1917. (Ancestry.com).

Black Hills Wholesale Grocery Company

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Real Photo Postcard, unused. AZO Stamp Box, circa 1913 – 1918.

Price:  $20.00

Addressed to:   “Ollie M. Chester, Rapid City, SD.”

Caption:   “C. E. Gray, wholesale Merchant, Rapid City, and his officers. C. E. Gray.”

You can read  “Wholesale Grocery Co.” on the building, above the man on our left. Which gentleman is C. E. Gray is unknown. Here’s an ad from February, 1914 showing they were located at Seventh Street between Omaha and Rapid (Rapid City, South Dakota):

From city directories it appears C. E. was Claude E. Gray. He shows up in 1918 as vice-president of the business. And on the 1920 Federal Census for Rapid City, we have Claude, born 1880 in Iowa, occupation grocery man; his wife, Florence L., also born 1880 in Iowa; and their daughters, Miriam, Marjorie and Helen. Also in the household is domestic servant, Ida Printz.

We’re guessing this card, like the one in the prior post, is a rare find for anyone looking for either of the two businesses. The earliest mention we found for the Black Hills Wholesale Grocery Co. is January 1913, in the Custer Weekly Chronicle. On March 3, 1914, the company published a trademark, described as “Black Hills” and a mountain scene that, barring any objection, would have been registered thirty days later. The AZO stamp box with all four triangles pointing upward, is estimated to be from 1904 – 1918, hence our card’s estimated date 1913 – 1918.

Ollie is Olive M. Chester. Could she be one of the young women in the postcard? Maybe. Or maybe just a friend or relative of C. E. Gray. Olive is found on the 1915 State Census for South Dakota, born 1899 in Nebraska.

Sources:  Year: 1920; Census Place: Rapid City, Pennington, South Dakota; Roll: T625_1725; Page: 15B; Enumeration District: 155. (Ancestry.com).

Simmons’ Spice Journal, April 1914, Volume 37, no. 4. Page 410. (Google.com/books).

Rapid City Journal. February 1, 1914. Sunday, p. 7. (Newspapers.com).

Keiter Directory Co’s Rapid City and Pennington County, South Dakota City, 1918-1919. p. 43. (Ancestry.com).

“Notice of Hearing Petition for Letters of Administration.” Custer Weekly Chronicle, January 18, 1913, Saturday, p. 6. (Newspapers.com).

South Dakota, U. S., State Census, 1915. (Ancestry.com).

Jerome Drug Company, Jerome, Idaho

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Real Photo Postcard, unused. Circa 1911 – 1920. Kodak stamp box “Velvet Green.” Diamonds in four corners.

Price:  $20.00

The stamp box on the reverse of this card, and described above, is one I’ve never seen before. It’s not listed on the wonderful Playle’s website, either. (Very surprising.) Often the stamp box helps to narrow down the date on a Real Photo Postcard, but luckily we get help elsewhere:

One of the keys to the location of this card are the names advertised on the second-story windows, Dr. L. G. Phillips, Dentist and Dr. Schmershall, especially the latter, of course. They were found in the 1920 Jerome County City Directory:  Leon G. Phillips and spouse Madeline and John F. Schmershall, county physician, and spouse Agnes.

Leon G. Phillips and Madeline are on the 1920 Federal Census in South Jerome. He was born in Illinois, about 1882, she in Illinois, about 1889, and sons, Leon G., about 1914 and Robert Ridgeway Phillips, about 1916, both born in Idaho. Leon Phillips and Madeline Ridgeway married in Lincoln, Idaho on August 22, 1911.

John and Agnes are also on the 1920, in Jerome, with son, Peter Clark Schmershall, along with boarder, Leland S. Johnson. John was born in Pennsylvania about 1877, Agnes in Colorado about 1889, and Peter in Idaho, about 1913. John Schmershall and Agnes Miller were married April 6, 1911 in Jerome.

When the drug store, or building that housed it, was built has proven hard to pin down, but mention in the local county paper was found starting in 1911. An ad for Dr. Schmershall, office above the store, was found for the same year:

Something different in a newspaper:  Interspersed throughout the town news are ads like these, in the Jerome County Times, from various businesses. Here are some from August 14, 1913, pertaining to the subject of this postcard:

That does sound good! And, one more. (I couldn’t resist.) This one from October 3, 1912:

Jerome Drug Co. is later listed in newspaper ads as “the Rexall Store.”

Lastly, if you’ve enlarged the image, no doubt something has struck you as odd, it’s in the block lettering for the doctors:  It’s rather funny, the “C” in Doctor (and in Physician, but not as striking) looking like a “G, ” so that we’re reading “Dogtor.”

Sources:  Year: 1920; Census Place: South Jerome, Jerome, Idaho; Roll: T625_293; Page: 7B; Enumeration District: 183. (Ancestry.com).

Ancestry.com. Idaho, U.S., County Marriages, 1864-1950.

Year: 1920; Census Place: Jerome, Jerome, Idaho; Roll: T625_293; Page: 17B; Enumeration District: 184. (Ancestry.com).

Ancestry.com. Idaho, U.S., Select Marriages, 1878-1898; 1903-1942. (Ancestry.com).

The Jerome County Times. August 14, 1913. Thursday, p. 5. (Newspapers.com).

The Jerome County Times. October 3, 1912. Thursday, p. 8. (Newspapers.com).

The Jerome County Times. March 16, 1911. Thursday, p. 4. (Newspapers.com).

Time and Tide Pass Quickly Away

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Divided Back, embossed, used postcard. Postmarked December 31, 1915 from Grand Central Station, New York, New York. Publisher:  S. A. S., copyright 1913. Series 254.

Price:  $7.00

“A Bright New Year”

“Time And Tide Pass

Quickly Away

But True Friendship

Is Here To Stay.”

Addressed to:   “Mr. & Mrs. Louis Maier, #320 E. 123 Str, NY. City”

From:  “Mr. & Mrs. Carl Klein”

A few possibilities show up for Louis Maier around this time, but oddly, nothing with the above address, not even under a different name. And Carl Klein is a common name in New York City, so, there’s no way to track him either.

A charming card – that of boy in snowshoes and winter outfit, carrying a beautifully-flowered lantern and bringing some mistletoe – one assumes maybe this was a Scandinavian tradition, but we couldn’t find confirmation of this idea. Maybe, just in general, the lantern’s bringing light for the New Year. The embossing is quite nice, too – the whole scene coming to us on some rough-edged “parchment” with a poinsettia “attached.”

Somewhere Out West

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Divided Back, Real Photo Postcard, unused. Kruxo “divider line” no stamp box. Circa 1911 – 1922. Number 4313 appears in bottom right, front of card.

Price:  $5.00

I found this Real Photo Postcard in Nevada, so it’s possible that the photo could have been taken there. The original image is rather dark, so the second view is a lightened version from Photoshop. These obscure, maybe somewhat forgotten, or seemingly easy to overlook images are a draw for me, for some reason. Or it may have appealed due to the similar scene out multiple windows that we see from our new home. (Just a girl from Detroit who moved out to the Central Coast in Cali, then retired and moved one state over. I suspect my perspective of “Out West” will always be that of a Michigander 😉 )

Anyway, it’s always possible that someone will recognize this particular view of our postcard’s mystery range. And, you’ll notice the house, outbuilding and barn (or three houses?) and fence. Wonder what the story was. Was it a ranch? Not an easy life, especially in winter. On a related note: On our property I’ve found lots of remnants of cowboy campsites, circa 1920’s and ’30s – pieces of charcoal; flattened tin cans and small buckets; broken cups, plates; (including purple carnival glass) Mason-type jars and bottles – one intact, so far, a small, amber Hazel-Atlas. This intact bottle, if you want to make a case for alternate realities, had shown up out of nowhere in an area I’d already trod multiple times, (always looking for that “glint in the sun”). The universe’s answer to a small request to find something unbroken (and it was much appreciated!)

Source for postcard date estimate:

“Real Photo Stamp Boxes. K – L.” (https://www.playle.com/realphoto/photok.php). Accessed December 28, 2022.

Of interest for identifying old bottles:

https://glassbottlemarks.com/ Glass Bottle Marks (glassbottlemarks.com).